Monthly archives: January, 2007

Best of 2006: Event

With a ton of mega events to choose from in 2006, you’d think the Doomers would be salivating to annoint the greatest. Well, if you thought that, you were wrong. Still, we had a few thoughts.

Photobucket - Video and Image HostingCivil War

“I doubted it would happen, but I think Civil War has been executed very well. And I anticipate that it will have a better conclusion than House of M too.”
— Jim Doom

None

“I’m going to say that because I voted for Infinite Crisis for this award in 2005 (or I would’ve if we had this award. I can’t really remember), that it doesn’t qualify for 2006. Out of all the events (and there were lots: 52, Civil War, Annihilation, OYL, Planet Hulk, etc.), none seemed worthwhile enough to be declared “the Best.” So, I’m pulling the great cop out and going with D: None of the above.”
— Jean-Claude Van Doom

Photobucket - Video and Image HostingInfinite Crisis

“Sure, half of it happened in 2005, but even half of Infinite Crisis is a bigger event than anything else that happened in 2006. It reshaped the DC Universe, just like DC said it would. Crossovers like Infinite Crisis are the reason people still look forward to “events” when all too often they end up being quite uneventful.”
— Fin Fang Doom



Worst of 2006: Event

Photobucket - Video and Image HostingThe Black Panther/Storm wedding

“I don’t think anyone cared about what was dubbed “The Wedding of the Century.” Most fans had already grown sour on Reggie Hudlin’s Black Panther. And with Civil War going on, who the hell cares about the wedding between two wholly unimportant characters? People reading Black Panther, and that’s it. Just like how only people that read She-Hulk care that Jennifer Walters and John Jameson got hitched. Yet Marvel still pushed this thing as a major milestone for the company.”
— Fin Fang Doom

Brave New World

“It was totally worthless, boring, and poorly executed. We all knew the Monitor would be back months before the issue came out, so the big “twist” or “SURPRISE!!!!!!” didn’t ring true. It was hollow. Plus, all the mini-serieseses that came from it were pretty much without worth across the board.”
— Doom DeLuise

Annihilation

“Maybe it’s been good, but Marvel really dropped the ball on their timing with this. I don’t care about the characters, but I would have been much more likely to give it a shot if it weren’t going on at the exact same time as Civil War.”
— Jim Doom

Photobucket - Video and Image HostingEverything big and green

“While I’m a big anti-fan of Civil War, that series has at worst been mildly entertaining, and much more so than Marvel’s previous Mega Events. To be the absolute worst of a year, though, takes something more. Something truly bad. And along those lines, I give you Planet Hulk. Here’s a series in which one of the most famed heroes of all time is taken to a completely irrelevant setting and strung through a never-ending cycle of “smash everything” adventures that somehow managed to not be exciting. Even the Silver Surfer vs. Hulk battle was weak at best. But, you know what’s even worse? The event that never happens. Sure, I love Leinil Yu and Damon Lindelof, but it would’ve been nice if their Ultimate battle between Wolverine and Hulk would’ve at least seen, you know, a fight.”
— Jean-Claude Van Doom



Worst to first: 1/24/07

A pretty strong week, though very top heavy. The stuff at the bottom, well, ugh. Three of the worst books I’ve read in months came along this week, which made it all the easier to appreciate that which didn’t totally blow. To the books…

Seven: The Goon Noir #3

After wholly disappointing me in 2006, The Goon is off to a terrible start in 2007 with this latest issue of “Dwight T. Albatross’s Goon Noir.” As far as I can tell, the Albatross is the degenerate pal of Goon creator Eric Powell. And this just smacks of one of those instances when a guy finds some manner of success and builds a nice life for himself with a nice job and family, but he still has his old retard of a friend tagging along and pretending like the dipshit days never ended. Well, most people in such a situation don’t give their dumbass friend any manner of control in their job, for fear that the idiot will bring them down.

Needless to say, I will not forget again to remove The Goon from my pull list.

Six: Civil War: The Return

I can’t say anything here that wasn’t already stated quite well. Oh, wait, there is one thing: I’m glad I just read this one in the store.

Five: Wolverine #50

Consider this the tipping point. Everything previous is utter trash. Everything yet to come is quite good. So, to which side does Wolverine vs. Sabretooth fall?

To find out, come back to the LoD on Saturday, for this is our latest choice for the Book of Doom.

Four: 52 #38

After several great breakneck issues, we were bound to have a little lull in the 52 action. Throughout the series, the writers have maintained a pretty steady cycle of thrills and plot development. The difference between now (when I’m digging the series) and then (when I dropped it to an occasional purchase) is that the thrills are bigger now, to the point that even the slow issues such as this contain some pretty wild material.

As Doom DeLuise recounted in his weekly roundup, this week saw some big happenings, with the release of the Horsemen and the Question’s apparent demise. Yet, it was a slow week. Not bad, DC. Not bad.

Three: Crossing Midnight #3

We see a big improvement in Mike Carey’s latest issue of the horror/fantasy series set in Japan. In a way, it reminds me of Pan’s Labyrinth, because both the “real world” and “fantasy world” are so dark. But, unlike that flick, in Crossing Midnight the worlds overlap in very strange ways. In this issue, the main characters fall a whole lot deeper into weirdness, and we possibly have some zombie action looming for next issue.

Jim Fern’s art also takes a step up. There are some well crafted spots. Still, it’s not my cup of tea. One problem is that it’s terribly two dimensional, with such weak shading in most places to make things look like a brochure. Even worse though is the stiff linework sucks any movement from the pages, detracting from any flow Carey tries to develop.

Two: Doctor Strange: The Oath #4

I like this book. A lot. It’s been at or near the top of the list every week. It’s just another example of how great a writer Brian K. Vaughn is, because he leaves little footprint, instead letting the story roll along as a pretty basic (but sharply crafted) homage to the Doc’s better years. And the art is right up there with anything coming out.

Still, this was probably the weakest of the issues so far, with a whole lot of “villain talking to much to fill in necessary exposition” going on. But Vaughn manages to make even that would-be-negative into a subtly self referential joke.

One: X-Factor #15

At this point, I’m almost afraid every time I pick up an issue of X-Factor. It’s been so good for every issue of the relaunch, it just seems like things can’t keep rolling like they are. For at least another week, though, Peter David’s bunch are the best superheroes on the shelves. Monet and Siryn go to Paris, where they face anti-mutant crowds, and Madrox has been kidnapped by Hydra and is taken to a secret base for programming.

It seems like a promising setup to me, but I suppose it could be seen as nothing too exciting. At least, that’s what the geniuses over at IGN thought. What makes David such a special writer is how he takes the expectations readers have for those kinds of setups and twists them around.

I don’t want to give anything much away, but this issue sees both Madrox and the female leads pushed into tough situations and turning to serious depths to handle the challenges. Both plots seem ho-hum until these moments, when David lights the fuse and we realize how many possibilities lie ahead. In short, this is the best-written series out there.



Best of 2006: Moments

So you’re reading along in a comic, just minding you own business. You turn the page, and your eyes bulge out of your head. You’re overwhelmed for a moment and at a loss for words. Maybe you even get a little teary-eyed. Every year there are only a handful that stick with us. Those are the moments we all read comics for.

Cyclops with a gunThe Eyes Lost It

“Cyclops losing his powers and coming back with the gun. The ruthless we’ve always wanted to see from the boy scout of the mutants.”
-Doominator

The Deader the Better

“Best moment of the year, for me, came in issue six of the mini-series Battle for Bludhaven, when Captain Atom finally woke up and blew the town to kingdom come. Sure, the series sucked hard, but we were all waiting for that moment, and it delivered. Another great moment was when Galactus fell in Annihilation. I did not see that one coming.”
-Doom DeLuise

“This seems like it should count in 2005, since that was the year of Infinite Crisis, but when the Joker killed Alexander Luthor and wrapped up the biggest event ever seen in comics, I applauded.”
-Jean-Claude Van Doom

A Superman/Superman Fight Done Right

“Back in March, Robert Kirkman put on a fight between five Superman-level characters. The fight was brutal, as it should have been. The double-page splash by artist Ryan Ottley stands out in particular as one of the best pieces of art from 2006. Perhaps what makes the moment even more memorable is the fact that DC had put on a relatively disappointing Superman vs. Superman fight juts a few weeks earlier in Infinite Crisis.”
-Fin Fang Doom

Invincible splash



Worst of 2006: Moments

So you’re reading along in a comic, just minding you own business. You turn the page, and your brow furrows. You’re overwhelmed for a moment and at a loss for words. Maybe you even get a pissed off. Every year there are only a handful that stick with us. Those are the moments we all dread comics for.

Detective 825Detective Comics #825

‘Well, Detective Comics #825 with a guest writer was tepid and one of the most dull issues of any series I’ve read this year. It’s a sour break from a great Paul Dini run. Royal McGraw, you disappoint me.”
-Doominator

Dick (Grayson) Sucking

“So Jason Todd gets eaten by some spider-ish guy, and then gets pooped out inside a shell of green slime. So naturally, when Jason eventually gets out, he has the ability to eat people and poop them out inside of shells green slime. Oh wait, I’m sorry, that’s stupid. Sometimes I confuse stupid with not stupid. This one was definitely stupid.”
-Fin Fang Doom

Nightwing 119“Worst moment was when Dick Grayson read Jason Todd’s farewell telegram in Nightwing. Ugh. Just stop already. That whole series had such potential, but man, that was one hundred percent without worth.”
-Doom DeLuise

The “I’m Leaving You” Sex

“No one particular thing stood out in my mind that really filled me with spite. Civil War #4, however, had a bunch of those moments. The worst for me was Sue leaving Reed. Just an emblem of the many wrongs contained in that book.”
-Jean Claude Van Doom



Book of Doom: Wolverine #50

This week, we’re collectively reviewing the latest “last battle ever between Sabretooth and Wolverine.” Will it be up to the level of that issue in which Wolvie popped a claw through Sabe’s skull, rendering him a kitten? Probably not. But, it has to be better than Wolverine: The End, right?

Here’s what Marvel says:

COVER BY: SIMONE BIANCHI
WRITER: JEPH LOEB
PENCILS: SIMONE BIANCHI
ED MCGUINNESS
INKS: SIMONE BIANCHI
COLORED BY: PAUL MOUNTS
LETTERED BY: RICHARD STARKINGS

THE STORY:
“EVOLUTION: PART 1
A DOUBLE-SIZED SPECIAL 50TH ISSUE! WITH SPECTACLAR WRAPAROUND COVER BY BIANCHI!
Superstar Jeph Loeb (Batman: Hush) is joined by future superstar Simone Bianchi for the biggest, best and, quite possibly, last battle between Wolverine and Sabretooth! These sworn foes have been locked in an endless grudge match that goes back longer than either can remember — or even imagine. The key to victory is eons old, and it’s certain to rock their world. Think you’ve seen Marvel’s fiercest go toe-to-toe before? Those were just warm-ups. Also featuring a 12-page backup story “PUNY LITTLE MAN,” by Loeb and superstar Ed McGuinness (Superman/Batman): He’s big, he’s green, he’s mean, and he just got his mitts on Logan. Now THIS is gonna hurt.
48 PGS. Parental Advisory $3.99



Worst of 2006: Covers

Onslaught Reborn LiefeldA good cover isn’t necessarily all about the artist. A bad cover on the other hand…

Rob Liefeld or Michael Turner?

“There’s one question that no one has been able to give me an answer to since I first posed it two months ago: “Which cover is uglier?” Both Rob Liefeld and Michael Turner submitted truly heart-wrenchingly bad covers to the first issue of Onslaught Reborn, but I guess that’s fitting.”
-Fin Fang Doom

Onslaught Reborn TurnerMichael Turner, Apparently

“Everything that Michael Turner does.”
-Jim Doom

“Anything by Michael Turner. This guy sucks. I hate having to buy his covers. Alternate covers are stupid and Turner is just riding this lame horse to the horizon. I hope he falls off the edge of the earth in 2007.”
-Jean-Claude Van Doom

Wonder Man 1Wonder Man #1

“Worst cover was “Wonder Man #1,” for obvious reasons. I am such a huge Wonder Man fan, and I can’t stand to look at it.”
-Doom DeLuise



Week Thirty-Eight

“The Horsemen have come! The end is near!” So says the ticker on the cover of this week’s issue of “52.” We’re only shown three of the Four Horsemen, the harbingers of the apocalypse, as foretold in the Book of Crime, as built by Intergang’s group of captive mad scientists on Oolong Island. The fourth horseman, the Hunger-Lord, rode out before the others. They’re big, threatening, angry, unstoppable, and the first words from their mouths are, “Black Adam.” This is not good.
52week38
Back in Metropolis, Natasha Irons has finally, as we’ve seen, come to terms with the fact that Luthor’s a crooked bad-guy, and she’s decided to serve as a mole to show her uncle, John Henry Irons, exactly what’s going on behind closed doors at Luthor’s headquarters.

The main focus of this issue, however, is squarely on Renee Montoya and the Question. She’s trudging through snowy mountain ranges, in an attempt to get the Question back to Nanda Parbat, so that, through some form of miracle, he can survive. It’s bleak; it’s cold; it’s lonely; and, in the end, I think we’ve seen the last of the Question. His body, having been drug bloodily through the snow, leaves a trail in the form of a question mark, and, in a reference to his first words spoken in Week One, he tells Renee that it was a trick question. Not who are you, but who are you going to become? Time to change, like a butterfly. At the gates of Nanda Parbat, amidst the swirling snow, as he weakly utters those last words, “Like a butterfly,” the issue closes.

It’s powerful. I know that most of this issue focuses on Renee dragging the Question through the mountains, talking to herself, with very little to say, with very little exposition or action, but, for some reason, it works for me. The Question deserves a private place to live out his last breaths, and, not only does this issue serve that purpose, but it also goes to show what extremes Montoya’s willing to go to in order to fulfill her mission.

As for the Four Horsemen, well, I am certainly looking forward to the inevitable confrontation between them and Black Adam. I really hope he makes it out of the scuffle alive, but I have no doubt that it’ll be some non-stop bad-assery even if he doesn’t.

See ya in seven.



Best of 2006: Covers

While we all pretty much agreed on what makes a bad cover (or who makes a bad cover, rather), the Doomers torn on what makes a good cover. Does an iconic image make the best covers? A cast of thousands? Paint? I’ll just let you decide.

LoneRanger2CoverLone Ranger #2

“As has been picked elsewhere, the first issue of 52 had an amazing cover. Also, John Cassady continued a great run of covers (and interior work) in Astonishing X-Men. But it’s a lesser-known Cassady cover that impressed me the most. For the second issue of the new Lone Ranger series, he took an icon and twisted it slightly, making an iconic image all his own.”
-Jean-Claude Van Doom

DC New Frontier Vol 2DC: The New Frontier Volume 2 TPB

“Darwyn Cooke’s artwork is pretty. Just inked and colored, it’s a delight. But fully painted, and on actual canvas, no less? Breathtaking. I stared at that thing for hours before I even cracked the spine.”
-Fin Fang Doom

Infinite Crisis #7

“Best cover goes to “Infinite Crisis #7,” take your pick of which variant. They’re both amazing.”
-Doom DeLuise

Infinite Crisis 7



Eternals: Make it Stop

Although it may seem oxymoronic to have a mini-series entitled “Eternals,” Marvel has attempted to live up to the name by telling a six-part story in seven issues.

I know it’s been about three months since the last issue came out, but, if you think back hard enough with me, the cover to that issue was labeled “5 of 6.” The cover for this week’s latest issue reads, “6 of 7.” Seems like they’re trying to pull one over on us dimwitted drunks, no?

Well, to that, I say, “No.”

I haven’t had a drink in about a day, and my mind’s sharper than twin dual lasers of insight and knowledge.

I figured that, surely, it was a misprint, at the least, or they just decided to add an extra issue as a sort of denouement, tacked-on at the last minute in order to tie up any and all loose ends that may be left by the final issue. Then, I read the issue, and, well, if number seven is a denouement, then it’s also a bit more rising action and a climax thrown in there prior to it, because, frankly, nothing of note happens in this issue other than what we were told was going to happen last issue: The Dreaming Celestial wakes up.

But let’s give Marvel the fair shake and let them explain it to us, via their online Internet world wide webs: (more…)