Monthly archives: March, 2007

PvP Volume 3: PvP Rides Again

PVP vol3By Scott Kurtz

Published by Image Comics. Cover Price $14.99. Originally printed as PvP 13-18.

The Plot: The staff of a gaming magazine tackles the issues of the day, ranging from plagiarism and copyright laws to finding the true spirit of Christmas to paradoxical trips to the San Diego Comic-Con to hyper-intelligent cats trying to take over the world. Hijinks ensue.

The Positives: PvP is a celebration of geek culture. From video games to Lord of the Rings to comic conventions to D & D, this is the world that many comic book fans, myself included, live in. There’s just something about being in on a joke that not everyone would get that makes it that much funnier. And there may be no two words in the English language funnier than “roll” and “initiative.”

The Negatives: Since PvP is a daily online comic, Scott Kurtz will make use of current headlines to make a joke for that day’s strip. Some headlines hold up better than others. Marvel suing City of Heroes holds up, because it hasn’t been overplayed. This one, however, does not:

PvP Janet

I’m not even sure that was still funny a week later.

There’s really no reason there should be typos in a book published by any reputable publisher, but there are two major errors in this trade. One strip is printed twice. It’s in two completely parts of the book, so it’s not terribly annoying. But in the introduction, half of a paragraph is reprinted directly under itself. Did no one even proofread this thing? Hell, even I proofread these posts before I put them online. Hell, even I proofread these posts before I put them online. Does it make any of the strips less funny? Of course not. But it’s certainly distracting, especially since it would have been so easy to prevent.

The Grade: C+. PvP Rides Again is a fun read, but quite frankly PvP is meant to be read on a daily basis, not in a six-month chunk. If you read PvP, you don’t read it for the storylines. You read it for the jokes, and most of the best strips are just single strip jokes. Relative to other comic strip collections it’s easily an A, but compared to other comic book collections, it just isn’t as good.



Meaningless Awards of the Week- 2/28/07

Sinestro BatmanMoment of the Week
5. Sobek has a snack (52 Week 43)
4. Doctor Strange: Asskicker Supreme (Doctor Strange: The Oath #5)
3. That’s not Kryptonite (Justice #10)
2. Madrox lets his dupe live (X-Factor #16)
1. Batman turns yellow(Green Lantern #17)

This was great week for sweet comic moments. The ending to 52 did not disappoint. Doctor Strange serving up a magic-free ass-whoopin’ was awesome. The swicheroo ending of Justice #10 made up for what was otherwise a lackluster issue. Madrox realizing “completing himself” wasn’t worth taking a good man away from his family was heart-warming. But all of that paled in comparison to the first three pages to Green Lantern #17. No one on earth is scarier than Batman, so it would make sense that a ring wielded by those with the ability to instill great fear would automatically seek him out as its rightful bearer. But seriously, who saw that one coming?

Runaways 24Writer of the Week
5. Mark Waid (Supergirl & The Legion of Super-Heroes #7, 52 Week 43)
4. Geoff Johns (Green Lantern #17, 52 Week 43)
3. Robert Kirkman (The Walking Dead #35)
2. Peter David (X-Factor #16, Fallen Angel #13, 1602: Fantastick Four #5)
1. Brian K. Vaughan (Runaways #24, Doctor Strange: The Oath #5)

Usually quantity is the deciding factor when you’re dealing with writers of this caliber, but not this week. While X-Factor was amazing as always, Peter David’s creator-owned Fallen Angel was sort of confusing and 1602: FF is so late I forgot it wasn’t finished. Not a good sign. BKV walks away with the honor of Writer of the Week for two grand finales. He ended his amazing stint on Runaways this week in addition to finishing up the best Doctor Strange story I’ve ever read in The Oath. It’s a shame that next month, there’ll be two less Brian K. Vaughan titles in my pull box.

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The Doomino Effect for the week of Mar 1, 2007

Hey everybody, it’s time for that little weekly event of falling over with your friends to make a beautiful picture from up above that we call The Doomino Effect!

Starting off this week is 52 #43. I’m pleased that each week has an actual big event, but I’m sick of them spoiling it on the cover! I’m also glad that Sobek’s heel turn is in full effect, but I’ll leave the rest of this issue to Doom DeLuise…remember the weekly 52 review

And speaking of remembering 52, that leads me to Supergirl and the Legion of Super-Heroes #27. The issue opens with a Dominator declaring in a big splash page “Remember the fifffdee-tu.” All kinds of craziness is going down as the Dominators have infected all of Earth’s technology with an AI virus. People are getting killed left and right, including members of the Legion apparently. It’s like Maximum Overdrive, except kind of heavy and intense, as the Legion are struggling to make contact with another planet for some backup without the help of computers or machinery. They can’t even use their flight rings! To show you what kind of stuff they’re dealing with, Invisible Kid attempts to use his Legion ring, and upon activating it, it immediately contracts the Dominators’ AI virus and fights back at him, ripping off his own arm! I don’t know if he bites it or if he survives, because plenty of other good guys get killed and dismembered when Brainiac 5’s teleporter gets possessed. Stuff is getting so bad in the future that I was actually suspecting there might be a surprise end of the 31st century Earth so as to allow for another Legion relaunch to line up with the post-IC universe. Surely there’s more in store for Mon-El…he just came back a few months ago.

But speaking of Mon-El, that leads me to Action Comics #846, where General Zod and his gang have infiltrated Superman’s Fortress of Solitude, passing by the Phantom Zone viewer and taking a peek at Mon-El. I’m excited about this story and bummed about its delays, but I have to say, Adam Kubert is at the top of his game on this series. I don’t know if it’s because he’s inking his own work or if it’s Dave Stewart’s colors, but I can’t ever remember liking Kubert art like I’m liking this. Sadly, I fear the delays will rush the art, as this issue is already so far delayed that the Action Comics Annual #10 was supposed to follow it.

So I guess in the new post-IC Earth, this is the first appearance of Zod and friends, and now it looks like they’ve let out plenty of other Phantom Zone criminals. That’s one thing I really don’t like about resetting the universe every so often. I didn’t know until now if Superman had ever met Zod, so I wasn’t sure what kind of reaction I was supposed to have. Was it a “Zod has returned!” or “Zod got out?” Still, I’m enjoying the story, and that’s what counts I guess. We’ll see how much I enjoy it after the fill-in issues, which I believe are supposed to begin next month.
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Q&A with David Peterson, creator of Mouse Guard

If you’ve read the site much, you know how much of a fan I am of Mouse Guard, last year’s surprise hit miniseries from Archaia Studios Press. Mouse Guard creator David Petersen was kind enough to answer several questions for our readers, sharing lots of insights on his background in art and writing, the creation of Mouse Guard, upcoming projects and even his old D&D habit.

Photobucket - Video and Image HostingFor those who foolishly haven’t read this series yet, Mouse Guard follows a society of mice who’ve created a group of soldier mice, the Guard, to protect themselves from larger animals. In the first mini, three members of the Guard face an attack from within. The first Mouse Guard series, Fall 1152, will soon be available in collected form and Petersen is currently working on a sequel, Winter 1152.

Jean-Claude Van Doom: First, I’m curious about your background, getting into comics. I saw on your Web site that you’ve done some pin-ups of stock superheroes (Superman, Batman, Hulk, etc.). Was that the kind of stuff that you grew up reading? Did you want to try to break into writing or illustrating those mainstream books? Is that something you still see as a goal?

David Petersen: I am a fine arts graduate of Eastern Michigan University and have been interested in drawing characters and telling stories since I was a little kid. I grew up reading mainly X-men and Teenage Mutant Ninja Turtles, but had a little bit of everything. There was a point where drawing the X-Men was the goal, but I was 13. I love iconic characters so doing pin-ups is something I really enjoy, but I don’t know that telling their stories is for me. I have my own set of tales that I need to tell and it only makes sense to do that with my own characters.

JCVD: When and how did you decide that comics was what you wanted to pursue?

Photobucket - Video and Image HostingDP: Until I was in college I thought comics would be a good home for me, but I looked at my stuff and I looked at what was in comics and the two didn’t gel. I thought I would take a shot at children’s book illustration and started work on a portfolio to do so. It was then that I set up at the Motor City comic con. I had never given up a love of comics or the desire to do them and I thought I’d set up selling paintings and illustrations of both comic characters and fantasy illustrations. There was some interest in my Mouse Guard images, so I made a promise to myself to do the story as a comic.
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Book of Doom: X-Factor #16

Jean-Claude Van Doom: “Man, I freaking love X-Factor. This is, by far, the best superhero team book on the shelves right now. And this issue is just a perfect example of why it’s so great.

X-Factor 16Madrox’s hunt for the loose dupes allows Peter David a chance to set Madrox apart and really delve into his character, which is frail and fractured as ever. And what David does best is put his characters into situations that force them to make horribly difficult choices. In this issue, Madrox finally makes a firm decision when put to the test, a payoff for those of us who’ve read the character closely for the past few years. Beyond that, David also really fleshes out the dupe, which makes the story just that much richer.

One of the complaints about the book has been that there’s not enough action (I wholly disagree), but David also sets out some serious bait for a little more traditional superhero action by tossing in the “mysterious hooded villain lurking behind the scenes.” It’s just another complication for David to throw upon his characters, to give them another chance to face challenges and react and grow. Because that’s the thing about X-Factor. It’s all about character.

PS – In case you couldn’t figure it out, this was my book of the week.”

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Jack of Fables

By Bill Willingham and Matthew Sturges (W) and Tony Akins (A)

Published 2007 by Vertigo, originally as issues 1-5. $14.99

Photobucket - Video and Image HostingThe Plot: In being forthright, I have to say I don’t know Jack about Fables. The series is among those that I’ve always wanted to read but am waiting for a big omnibus. I liked the first issue, like the concept, like Willingham. Just hasn’t happened yet. So, I wasn’t sure what to expect when Vertigo sent this over. Luckily, there’s an adequate amount of exposition (fables are real and most of them are nuts) to establish the larger world. Almost entirely, the story is about Jack (and the beanstalk, the giant killer, etc.) as he’s kidnapped and forced into a mysterious prison for fables. The villain, Revise, has a clever name and seems like a more suave version of the bad guy from Who Framed Roger Rabbit? The plot focuses on Jack attempting to escape and generally being a smug ass, both of which are entertaining.

The Positives: Like most of Vertigo’s lineup, this is a cool idea for a story and Jack is an entertaining character to follow. He’s arrogant and dumb all rolled together, and his adventures always teeter back and forth between great success and abysmal failure. He reminds me of a cousin of mine who one minute would be careening up and down mountains in his jeep and shagging every girl he could find, then the next accidentally lighting his face on fire with white gas. Like a train wreck and a roller coaster, rolled all together.

The huge cast of peripheral characters also works well in the book’s favor. A lot of recognizable faces show up (Humpty Dumpty, Tortoise and Hare, Paul Bunyan and Babe), and a lot of lesser known ones. For the most part, Willingham and Sturges make clever twists on the characters, even if it’s just a small visual gag like the mud flaps on Tortoise. Then there’s the psychotic, nymphomaniac Goldilocks…

While you could draw a parallel between this and something like League of Extraordinary Gentlemen, Jack of Fables heads in a much more whimsical direction (though it contains plenty of dark moments, it’s more like Looney Toons in how a character can be terribly hurt but never dies). You’re not going to find any literary-ness in Jack of Fables, but that’s okay. It’s over-the-top and fun and moves fast enough that you don’t worry too much over the few problems.

The Negatives: On that note, the book definitely isn’t perfect. All the breaking-the-fourth-wall moments didn’t do much for me. Of course, I can’t remember any instances of that doing anything for me. But, Jack is no Ambush Bug. Also, the art is fine but nothing memorable. Seems very pedestrian for a book like this. Other than that, though, there’s nothing to complain over.

The Grade: B+ Mostly, this book just reaffirms that I should eventually read Fables. I wonder how much longevity Jack will have as a solo character, especially kept entirely separate from Fabletown, but I’m at least intrigued enough to stick with the tale.



The Civil War Machine: Umm… What?

Frontline 11Civil War: Frontline has been one of the bright spots in the mess that was Civil War. The bulk of the series told the events of the crossover through the eyes of the man on the street, namely journalists Ben Urich and Sally Floyd. It also expanded on many ideas brought up by Civil War but not touched upon in the main mini-series or character-specific ongoing series. Frontline featured back-up tales about Speedball going to trial for his part in the Stamford incident, how superheroes operate once they’ve registered with the government, and how and why supervillains were utilized on the pro-registration side.

When Marvel announced The Delay, they also announced a bevy of new crossovers they would be releasing to cushion the blow. And by “cushion the blow,” I mean “milk readers for every penny we can while we wait another three months for McNiven to get done.” Among the new books was an eleventh issue of Frontline, which was originally solicited as a ten-issue mini-series. And I was glad, because I had thoroughly enjoyed writer Paul Jenkins’ work so far and didn’t want to see it end.

As it turns out though, that eleventh issue (which shipped Wednesday) seems like it wasn’t added to let Jenkins continue his story, but to help fix some of the problems they weren’t going to have time to fix in the Civil War series. Like that whole “Tony Stark is an evil bastard” thing.

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Tom Cruise is Not Ozymandias

I was just surfing around on the Internets, and I found an interesting interview with director Zack Snyder, whose forthcoming take on “300” looks rather promising, and who’s also scheduled to direct the big-screen adaptation of Alan Moore’s “Watchmen.” Word is that they could begin filming as early as this summer. In the interview, there’s a bit of talk about casting rumors and such, most notably that Tom Cruise was, at one point, in talks to star as Ozymandias. Here’s the link.

Now, I don’t know about you, but I think Tom Cruise would probably suck in that role. No way would I believe him as the smartest man alive. His public persona is so big these days, it’d be hard to establish him as anything other than Tom Cruise in a weird costume. The whole suspension of disbelief thing would be much more difficult with a big, smiling, crazy, uber-famous man in one of the lead roles. A couple years ago, I heard much more promising casting rumors, with word circulating that John Cusack would play Nite-Owl and that Simon Pegg would play the role of Rorschach. I’m sure that both of those ideas have been scrapped, but those at least sound like a sane man was making the decisions, rather than whoever is in charge right now. Seriously, don’t even talk to Tom Cruise. The guy’s bonkers.

Other interesting news from the interview above: The Curse of the Black Freighter (that pirate comic that runs along the main narrative in the book) is going to be included, and the film’s going to, more than likely, hold an R rating. I couldn’t imagine it being rated anything less.

What do you think? Who would you cast in these roles?



Worst to First: 2/28/07

It was a relatively paltry week with only six titles. But all were quality books and a couple were exceedingly dense, so it felt like a much taller stack. Before I get into the reviews, I noticed a few things around the shop as I perused the aisles. First, the Jeff Smith Shazam book is selling really well. As for the Dark Tower book, I’m not sure if the shop just ordered a bajillion copies or if it’s not meeting expectations. We’ll see. But enough meandering. The reviews, as always, from worst to first…

Six: Justice #10

Not that this was a bad book, per se, but it sunk to the bottom against stiff competition. After what feels like two years of waiting and ten thick issues, it seems like this is turning into the series that wouldn’t die. I just want to see the finish line at this point. Maybe when I go back and read the issues in order it’ll seem much better and cohesive, but reading this issue, I could hardly recall what was going on.

Maybe the worst problem was the layout. Even in an extra-sized book, Alex Ross and Jim Krueger felt the need to jam every page with as many as eight panels. And such small panels really limit the impact of Ross’s always-amazing art.

Five: Daredevil #94

I liked most everything about this special love issue except that it should’ve come out on Valentine’s Day and it gets to be repetitive. It feels like instead of really getting into Milla’s thoughts about her relationship with Matt, Ed Brubaker instead just uses her as a narrator to do a recap of the past several arcs on the book. So, it’s not entirely effective as an entry point for new readers or as a full glimpse into Milla’s life. That’s not to say it’s bad stuff, just not as good as this book has been.

The art is a definite highlight. I love the John Romita cover (complete with the classic Marvel logo), and Marvel again shows how great it is at selecting fill-in artists. Lee Weeks and Stefano Gaudiano step in and if I hadn’t stumbled across their names I never would’ve realized that it wasn’t the main series artist.

Four: 52 #43

The past few weeks, 52 has largely changed from cramming little pieces of all the disparate plots into one issue into focusing almost entirely on a single plot per week and adding in little pieces of a second plot. It’s no coincidence that change has occurred at the same time the series has gone from decent to very good. Just like in NBC’s Heroes, which is always best in its most focused episodes, 52 was just too scattered at times. Now, we’re seeing lots of threads coming to an end all at once, instead of an inch at a time.

And as much as Doom DeLuise doesn’t like him, I was sad to see Osiris bite it. Sure, he was annoying. But the writers set him up nicely as a tragic character. And now the stage is set for the three other horsemen to arrive, and for Black Adam to kick some ass.

Three: Crossing Midnight #4

I’ve been very much on the fence about this series. Well, until now. Mike Carey’s horror/anime mashup seemed like it was headed in the right direction for the first three books, but it wasn’t until this issue that he really cut loose into this bizarre world of spiritual beings and myths and creepy Japanese kids and dragons and samurai and so on. Carey also finally makes the twin lead characters empathetic enough to make me invest in where the story is headed.

Two: Doctor Strange: The Oath #5

The bar has been set. For the rest of 2007, any mini-series that wants to win my vote as best of the year needs to beat out Brian K. Vaughn’s effort. And that’ll be a hell of a task. Vaughn took Strange (a great character who has suffered through some crappy series in recent years) and made a wonderfully retro series that was somehow still set in the contemporary. He proved that good, fun storytelling can work with today’s heroes (and with only the occasional insertion of tongue into cheek). This is just a perfect little story, with great art and a ton of great moments (Strange taking off the gloves, etc.). I can only hope that the series’ conclusion eventually is held more as the Strange canon than this Illuminati stuff.

One: ????

What’s the worst secret in the world? My pick of the week choice, of course. If you’ve read the site much before, you should be able to figure it out. If not, stick around and you’ll soon see.