Triple H Is Leaving As Champ: Wrestlemania 32 Prediction

Triple H Is Leaving As Champ: Wrestlemania 32 Prediction

I’ve been saying it for months now, ever since Triple H won the WWE Championship at the Royal Rumble:

He’s leaving Wrestlemania as champion.

It’s not necessarily for any one reason, but as is always the case when the winds shift at the last minute in his storyline favor—for a confluence of reasons that just happen to align at just the right time.

It’s no secret to anyone that Roman Reigns is not getting over as WWE’s lead babyface. Nor is it any secret, particularly after this past week when they had to cut essentially the same promo twice, that The Authority is a tired force lording over WWE programming. Furthermore, the talent roster is thin—particularly following some ill-timed injuries—and in need of an injection of fresh blood.

And Triple H just happens to provide the silver bullet for all of their problems.

wweSo first thing’s first—how does Triple H leave Wrestlemania as champion when they’ve spent so much time and effort building up Roman Reigns as the new top face?

I’m old enough to remember when WWE invested time and money into a particular anti-Authority wrestler, on a path to topple the power-abusers and show once and for all that they could be beaten. And then, even after the storyline had played out over two calendar years, WWE made the decision at the last second to change the finish and have Triple H go over, throwing away all of the buildup for a finish that made no sense.

That was last year.
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New Japan Acquisitions: Is This WWF 1984 or WWF 1999?

The news this week that four New Japan stars may soon be headed to WWE has sparked some unexpected and intriguing speculation about WWE’s plans for this talent, particularly revolving around the former members of New Japan’s Bullet Club.

It’s the kind of thing that has me completely flipping my opinion on whether I’d like to see Finn Balor in WWE.

bc2Prior to this week, if you’d asked me if I’d like to see Balor get called up to the main roster, I’d have said “No” without hesitation. Whether it’s the embarrassing mishandling of money main-eventers (Sasha Banks) or the midcarders who still deserve better than instant obscurity (Tyler Breeze), it’s becoming increasingly clear that the creative force(s) driving WWE’s main-roster product have absolutely no idea what to do with NXT talent.

But the prospect of putting Balor at the helm of an American version of the Bullet Club on WWE TV has me more excited for potential storylines on Raw than anything has in a while–because Balor and a Club of talent that got big in Japan on WWE’s main roster would signal that they’re finally recognizing top talent can come from somewhere else. It’d be indicative of a perception shift that hasn’t budged since roughly May of 2001.

That excitement is because I’m getting ahead of myself. It’s making some assumptions as to what kind of acquisition this is. And there’s pretty good reason to assume this isn’t the kind of acquisition I’m excited about.
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Thoughts on Leto’s Joker

I was skeptical of the casting of Heath Ledger as The Joker.
He didn’t look like Jack Nicholson’s Joker.

He didn’t sound like Jack Nicholson’s Joker.

He didn’t act like Jack Nicholson’s Joker.

But once we saw him, it was clear that the way he looked, sounded and acted was awesome.

A lot of the most noticeable discussion around Jared Leto’s Joker, as revealed fully in the new Suicide Squad trailer yearerday, involves these comparisons, as do the inevitable defenses.

“Oh, you just don’t like it because it’s such a different take on The Joker from what Heath Ledger did.”

And that’s true.

Jared Leto’s Joker doesn’t look like Heath Ledger’s Joker.

He doesn’t sound like Heath Ledger’s Joker.

He doesn’t act like Heath Ledger’s Joker.

That’s ok. None of those comparisons are necessary.

Because Jared Leto’s Joker doesn’t look, sound or act in a way that I would describe as awesome.

The comparisons are irrelevant. 

What is relevant is the fact that his portrayal looks and sounds really stupid. 



Dawn of Justice trailer review: Revealing Superman’s true identity

The expression on Superman’s face at the beginning of the trailer for Dawn of Justice really sums up the tone:

“I don’t have time to explain to these stupid people how lucky they are that I’m clumsily destroying their city.

“But if you’re going to make me explain myself…” (sigh) “…I’ll humor you.”

(It doesn’t help that Henry Cavill plays this disdainful character perfectly.)

I’ll admit that this trailer made me more excited for the movie than I had been. The previous trailer looked as if Zack Snyder was just redoing Watchmen, only this time with more valuable intellectual properties. Almost entirely thanks to how great Ben Affleck appears to be playing Batman, I’m significantly more excited — but not without skepticism.

I hated Man of Steel. I thought it was a terrible movie that made no sense as a Superman movie.

“If you want to make that movie,” I thought to myself and said out loud to anyone who would listen, “why make a Superman movie?”

Snyder recently told Entertainment Weekly that the destruction in Man of Steel was always part of the point — that there would be consequences for what happened.

Barring anything short of leaked emails from screenwriting discussions before the production of Man of Steel, I would be willing to guarantee you Zack Snyder is lying.

And the main piece of evidence is the movie he made.

Half the city is laid waste, and what does Superman do? He stops to make out with Lois Lane.

There is absolutely zero acknowledgment of the consequences amid the damage. Absolutely none! Snyder has gone on to say that the “thesis of Superman” is “that you can’t just have superheroes knock around and have there be no consequences.”

Beyond the point that WHEN HAS THAT EVER BEEN THE THESIS OF SUPERMAN? (which supports the idea that Zack Snyder was not setting out to make a Superman movie, but an indulgent Zack Snyder movie using DC’s properties) that theme was not reflected in Man of Steel at all.

Snyder’s defenses betray an exasperation — “I don’t have time to explain to these stupid people how lucky they are that I’m making epic films for them.”

And I’m afraid that explains what we see in this trailer.

Given the fact that there is absolutely no evidence for Snyder’s claim in the film he made, his defenses come off as baseless rationalizations. He has to pretend this was what it was all about to begin with.

And now he’s made a movie to bring those rationalizations to life.

The theme of this trailer is clearly that Superman is a benevolent godlike creature who is here to save us in spite of ourselves. Whether it’s our rash and cruel judgment (Batman) or our cynical fear (Luthor) only we as humans can really deny ourselves the salvation we desire.

The symbolism reflecting Snyder’s disingenuous quest to legitimize his blockbuster blunder suffering under the knife of jealous critics and insecure fanboys is a little creepy.

I really hope I’m wrong about this. Visually, Dawn of Justice looks like it’s going to be exciting. And I am fully aware of the fact that you can’t judge a movie based on a selectively edited trailer.

CJzHAU5WgAAfa0mAnd I hope that’s the case! Because when you peel back the spectacle and step back and look at this, what do you have?

A contemptible Superman who offers audiences absolutely nothing to sympathize with.

A Batman who appears set up to be a rage-fueled madman hellbent on crippling Superman for no real reason.

Humanity, through the form of the masses and the politicians, who appear to desire nothing more than to be led.

Who wants to watch a movie like that?

I’m clearly skeptical, but also hopeful this might end up being halfway decent, so I showed my girlfriend the trailer to get her opinion. She liked Avengers and the Thor movies (largely because of Chris Hemsworth) but has no dog in the comic book movie fight. She never saw Man of Steel (which is a good thing, because the movie is terrible).

Her first words — “My jaw dropped.”

I was surprised — maybe this looks good after all! So I asked, “You’re excited to see it?”

She was, but for one reason — to see Batman kick Superman’s ass.

“It took me about half a second to be on Team Batman,” she said.

As cool as Batman looks here (He wears armor! He’s in an inexplicable fight in the desert!) there’s little about this trailer, through the apparent moralizing and positioning, that suggests Batman is going to win this fight.

It concerns me that Snyder and DC are so unaware of their completely unlikeable take on Superman that they’re setting up a downer of a movie.



I would watch “Avengers ’78” so many times

I see from YouTube that this was uploaded three years ago, but I have just discovered it through the power of social media.



Have you seen the new Aquaman photo?

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Arrow: S1/E2

Somehow I missed in the first episode that Walter had an English accent. Did he have that in the first episode?

Something about the drama in episode 2 felt a little more over-the-top in a bad way, but I like the evolving relationship between Oliver and the tough-talking veteran bodyguard.

The scene with Oliver fighting the birds off his dad’s corpse was an important touch though. So far we’ve basically seem Oliver come back from five years on an island with incredibly advanced fighting skills; it’s good and meaningful to show those struggles because otherwise so far island time seems really awesome and I don’t think that’s useful to the framing of what Oliver went through.

I also loved the light touch of Oliver’s mom thinking Green Arrow is just going after rich people. The different interpretations of the still-new vigilante’s actions based on perspective are good depth while also a nice nod to Oliver’s politics from comics history.

Most improved character: Oliver’s sister. She’s still annoying but the backyard cemetery scene at least have some depth to her obnoxious rebellious teen persona.

Best (paraphrased) line: I don’t have this verbatim but Oliver’s quip about people thinking he got his MBA on the island was nice awareness of the absurdity.

Worst character as of this episode: Detective Dad. That guy is a joke and the weakest part of the snow.



Arrow: S1/E1

Doom DeLuise has long sung the praises of Arrow, or maybe it was Doominator (I get those two confused. They both have Doom in their name), so I’ve decided to get caught up from nothing and add to our archives in the process by blogging about each episode as I watch it. And maybe someday we’ll be caught up and reviewing them as they come out.

Right away, I’m guessing I’m about the millionth person to notice the similarities to Batman Begins, but I think that’s almost a plus; Arrow gets to build on those similarities — and the time the Batman franchise spent laying that foundation — and stake out some obvious and meaningful differences.

Oliver is a proactive hunter rather than a reactive detective and protector. As an extension of that, Oliver kills. Oliver also can’t trust the people closest to him. Oliver’s playboy persona has actually caused harm, rather than just provide distance and cover. Oliver hates tennis.

Being a network drama, there are what seem to be unavoidable cheesy elements, like the goofily over the top bad guys, after-school-special sibling relationships, the CGI island and the mean detective.

I think it can get away with that stuff because the fight scenes are also over the top, but they are fun. And so everything is just cranked up to the same level, and it works.

Also it was super cool to hear a local band’s music playing at the welcome home party.

Great cliffhanger too. The pilot sets the stage for a series very well.



The Doomino Effect for Jan 21, 2015

I forgot to do this column for the past 80-some weeks so let’s get back in the swing of things, shall we?

Speaking of swinging, that reminds me of The Amazing Spider-Man #13, part 5 of Spider-Verse.

I cannot tell you the last time I thought a crossover was this much fun. I think on paper, this is probably everything I would hate about crossovers. A lot of the action happens in other series, and there are a lot of other series in which that action is happening, meaning if you want the whole story, you have to buy a lot of other books. There are ridiculous characters, such as a spider-pig and a 1960s Spider-Man, and one that appears to be newspaper Spider-Man, presented in all their absurd glory, and often presented for laughs. Much of the storyline is little more than let’s fight, flee, argue, repeat.

But my goodness, it is flawlessly executed — story and art — and incredibly fun.
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Podcast of Doom (transcript): Survivor Series 2014 Predictions

[SFX: Intro music]

JIM DOOM: Hello and welcome to the latest Podcast of Doom. I’m your host, Jim Doom, and with me as always is Doom DeLuise.

DOOM DeLUISE: Hey.

JIM DOOM: Ever since Fin Fang Doom declared us to be a wrestling site also, we’ve made a little more effort to talk about wrestling —

DOOM DeLUISE: Definitely more of an effort than we’ve made to talk about comics.

[audience laughter]

JIM DOOM: — and last month, we previewed WWE Hell in a Cell. I don’t remember how we did, but shall we take this month like we did last month, and start from the bottom of the card and work up?

DOOM DeLUISE: Yes!
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