The ISB: “The Untold, Retold, Ignored, and then Retconned Legend of the Batman”
Chris Sims at The ISB has a post on The Untold Legend of the Batman, a miniseries in which someone who knew all of Batman’s deepest, darkest secrets had set out to destroy him.
I had a small black and white copy of this book, which I think I got from a grade school book order. It came with a cassette tape, I guess in case you felt the few words that did make there way into the comic picture books were just too much to handle. I don’t know, maybe I was young enough that I was closer to the pre-literate age than I realize, but this would have most likely been the first comic book I owned.
I had been thinking about this book recently for the same reason Sims mentions — elements of “Batman R.I.P.” seem awfully reminiscent of this story, but I couldn’t remember the name of the book. Procrastination led me to browse the sites over in our links section, and I was very excited to see this write-up.
One of the things I remember most about the book was the art. Jim Aparo’s Batman was amazing. His use of blacks, particularly noticeable as I had only a black-and-white version, was stunning. I remember wearing out ball-point pens trying to recreate his art from this book.
Years later, when I actually started buying comics on a monthly basis (this is right around the time of Knightfall) I remember noticing how his work had lost much of that awesome, dramatic quality. I don’t know if this was a product of age or different inkers, but his work in “The Untold Legend of the Batman” was fantastic.
I have no idea where my copy is anymore, and I probably haven’t had my hands on it since about 1990, but the ISB treatment captures the drama and absurdity I remember about the series. I dug up this Amazon link because I’m tempted to re-order myself a copy.
In a crazy Doomkopf coincidence, I also had a copy of that B&W version, which I also bought at a grade school book fair, which Colonel Doom promptly “borrowed” for about ten years.
The first chapter’s art was by John Byrne, inked by Aparo. Whenever Aparo inked himself, his art always looked great, but yeah, later on he was often paired with Mike DeCarlo and other inkers who, while fine, weren’t Aparo.