Monthly archives: October, 2007

Preview: Simon Dark #1

This week, I picked New Avengers for our Book of Doom. I guess I was skittish because most the new books we tried in the past ended up sucking. Had I gone with a new book, it would’ve been Simon Dark, the new effort by Steve Niles. After wading through the absolute atrocity that was Niles’ City of Others, I was even more skittish.

Photo Sharing and Video Hosting at PhotobucketDC was nice enough to send a review copy, though, so I couldn’t avoid it. And, while this book isn’t a contender for debut of the year, I was surprised by how much I enjoyed it.

The book starts with some goons wearing masks about to sacrifice some dude in the grounds of a destroyed church in Gotham City. Suddenly, a weirdo who looks like Madman meets Edward Scissorhands meets The Crow shows up, does some acrobatics and slices off the head of a bad guy. Ouch! Thing is, this new hero, aka Simon Dark, knows his name but has no clue who he is or where he came from. The rest of the book is mostly scenes of everyday life in Gotham, with Simon off at the edges, the dispassionate observer.

Judging from Niles previous work, I expected a full horror book, but this is more creepy and haunted than terrifying and grotesque. It’s understated, which is a welcome 180 from City of Others. Though there are a few slow moments and some character introductions that show no importance here but obviously will become crucial later on, this first issue effectively establishes the framework of the series: This weird cult of hooded bad guys are actually from the city’s upper crust, and they’re planning more sacrifices and killing Simon.

I didn’t read Gotham County Line, which was the previous team-up between Niles and artist Scott Hampton, but Hampton’s work is a good fit for this. He uses the same gritty, realistic style that’s been done perfectly for a while now in Marvel books Daredevil and Captain America, and to a lesser extent in Boom! Studio’s books.

One thing that seems like a bad choice for establishing this new character is setting him in Gotham City. Batman overshadows everything there, not to mention all the other heroes calling the city home. It’ll only distract from Simon’s story if readers are constantly wondering whether Batman or The Question or Robin will show up. Of course, if sales of Simon Dark don’t meet expectations, they probably will.



Heroes: Episode 3

Photo Sharing and Video Hosting at PhotobucketLet’s call this the Homecoming edition of our weekly Heroes wrap-up. A few central characters had been MIA since last season’s finale, but now they’re back. Was it a good Homecoming? Well, it far exceeded any I experienced in high school. Of course, that’s not saying much at all.

So, what happened? Who returned? Who died? Did the writing improve at all? How many Nissan Rogues would show up?

Dumb criminals — I’ve been intrigued by the Alejandro and Maya-the-crying-chick arc, but man did it ever take a turn for the stupid here. They’re in Mexico and trying to get to America, so what does Alejandro do? He busts out the window of a car in broad daylight in the middle of a crowd with a cop standing nearby. Who would’ve thought such a thing could’ve landed him in the clink?

Packin’ heat — You have to wonder if the writers are making a joke of Parkman and his position with the NYPD. As I mentioned from episode one, he’s a bit over zealous with the firearm. More of the same here, as he wakes up and immediately pulls the hammer and nearly shoots Mohinder. A tip to Mo: You live with a nutjob. Might want to let him know when you’re coming and going.

Sylar’s back — In case you missed the episode and the 20,000 commercials NBC aired last week, the man the world loves to hate has returned, albeit with a big hole in the chest and apparently no powers. More questions to come.

Weekly WTH? — In a single scene, Ando pulls a huge sword from a small cabinet (seriously, how did that happen?) and then finds a note for him on the bottom of the hilt, revealing a secret storage spot for notes from Hiro-in-the-past. So, a famous sword has been studied by historians for ages, yet they all miss a series of notes hidden not-ver-well in the handle? There’s a word for that: unbelievable.

Peter Parker, I mean Petrelli — The sequence of a newly ripped and memory-less Peter trying to use his powers by spouting goofy commands and gesturing wildly is just an offensively blatant ripoff of the first Spider-Man movie. I channel my inner South Park and shout, “Sam Raimi did it!”

Speaking of — It’s nice to know the actor who plays Peter spent the summer lifting weights and waxing his chest. But, seriously, at least come up with a reason for him to take his shirt off. He’s like one of those guys at the gym who wears as small a shirt as possible and spends half the day flexing in front of the mirror. Give it a rest.

Douche boy — Every superhero should have a nickname, and the dork who’s seducing Claire is no exception. After acting like a total prick this week (after being utterly generic previous episodes), I think he’s earned the moniker Douche Boy.

Or… — We could call him Superman Wannabe. Continuing the mode of ripping off superhero movies, we get a straight take from any Superman film as he takes Claire and flies her high above earth. My wife even made the comment during the scene, “Hey, that guy just made the Superman Face.” (more…)



Book of Doom: New Avengers #35

In the past weeks, we’ve picked some downright duds for Book of Doom, our roundtable review. This week’s pick, at the very least, should kick up a lively discussion. See, we Doomers really don’t like each other. And if there’s a lightning rod for this enmity, it’s surely the writing of Brian Michael Bendis.

Photo Sharing and Video Hosting at PhotobucketThis weekend, we’ll all barricade ourselves in a room and have it out over New Avengers #35. By “room,” of course, I mean the Internet (which remains in one piece). The good news for you is that you can join in by logging on to the Internet, coming here, telling us how stupid we are, and… Oh, wait, that’s all you need to do.

How many pop culture references can Bendis fit in an issue? Will the team fight, or just banter wittily? Will Fin Fang Doom finally admit Bendis isn’t the anti-Christ? At the very least, we’ll finally have the answer to how awesome it is when Wolverine combines with a Venom symbiote!!!

Was that sarcasm? You tell me.

Marvel says:

WRITER: BRIAN MICHAEL BENDIS
PENCILS: LEINIL FRANCIS YU
COLORED BY: DAVE MCCAIG
LETTERED BY: COMICRAFT

THE STORY:
The Hood makes his play for the big time by gathering the most ruthless rogues gallery of evil the Marvel Universe has ever seen. What does a guy who wants to be the “Kingpin of all super-villains” do to make his point? You have to see it to believe it.
Guest-Starring Tigra. Poor Tigra. Poor, poor Tigra.
32 PGS./Rated A …$2.99



Book of Doom: Vinyl Underground #1

So I chose this as this week’s Book of Doom because I wanted to try something new and the write-up seemed intriguing. Solving mysteries, in London, weird stuff, sounds good.

But I didn’t really like it. The characters’ edginess seemed so forced. Troubled celebrity, drug-addict, porn-tease. Maybe that’s a statement on society itself, that those things would make me yawn, but they just seemed like mascots for their descriptions rather than characters with issues.

So the Bloodhound Gang solves crimes and feeds the answers to the bald lady cop. But in this new crime, it just so happens that the main character happened to date a girl who knows exactly the right people, places and things. A convenient coincidence like this seems like it’s straight from the pages of Green Lantern: Year One. GAYO!

The art was okay, but just seemed way too cartoony for something that’s supposed to be dark and occult-ish.

There just wasn’t really anything in here that worked for me. I have no interest in anything in this book at all. So that I’m not all Doom and Gloom, I’ll try to think of some things that were good about this comic.

– The cover was neat.
– Boob shot
– The girl torched an attacker. That was kind of cool.
– Being a “mature” title, my comic shop bagged and boarded it for me for FREE!
– It wasn’t Howard the Duck #1.
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Random Thoughts from 10/3/07

I usually read all my comics right away when I get home from the comic shop on Wednesday. I realized last week that this means by the time Monday rolls around, I really haven’t thought about my weekly comics for a while and don’t have much to say about them. Hence the earlier than normal post.

Countdown 30Countdown has gotten to the point where if isn’t just completely terrible, I’m pleasantly surprised. And what can I say, Countdown #30 wasn’t a flaming bag of dog turds. Pretty much the only storyline that was forwarded at all this issue was that of the Challengers. Remember when 52 started focusing on one storyline for almost the entire issue and got really good? Am I foolish to hope the same thing is going to happen here?

So there’s an alternate Earth where Jason Todd is Batman, Donna Troy is Wonder Woman, Kyle Rayner is Green Lantern, and they all pal around with an Atom? That seems awfully convenient. It also seems quite wasteful of one of the 52 universes DC has to play around with. In less than six months, DC has already assigned specific continuities to 29 Earths (thank you, wikipedia!), including such notable universes as “Conjurers” (huh?), “Justice Riders” (come again?), and “everyone has the opposite gender” (seriously?). At this rate, I doubt the multiverse as it stands will even last until Final Crisis. Seriously, when’s the next time anyone’s ever going to use Earth-15, the “convenient for storytelling purposes” Earth?

GLC 16With Green Lantern Corps #16, The Sinestro Corps War seems to ramping up into overdrive. With Lanterns gaining the ability to use lethal force, the Sinestro Corp seemed like it was on the defense for the first time. Except now they’re all attacking the Earth, along with Superboy-Prime, Cyborg Superman and maybe the Anti-Monitor. That’s going to be one hell of a fight.

Surprisingly, Buffy the Vampire Slayer #7 was not my favorite book of the week (that honor goes to GLC), despite my professed love for the property and the talents of wiriter Brian K. Vaughan. Something about a Buffy comic without Buffy seems wrong, although that was rectified on the last page. Seems the evil Slayer the formerly-evil Slayer Faith was sent to kill is trying to kill non-evil Slayer Buffy and wants pretending-to-be-evil-(and-British) Slayer Hope (Faith) to help her. I desperately want that to be a Kelly Ripa reference, BTW. Great dialogue this issue, particularly during the Willow/Dawn scene: (more…)



Shortcomings

A while back, I reviewed Exit Wounds, a great indie book about a young man with emotional problems trying to get a handle on life as he searched for his possibly deceased father.

About the same time (I’m a bit delayed here), I got a review copy of Shortcomings (Drawn & Quarterly, $19.95), by the well regarded illustrator Adrian Tomine. Strangely enough, it’s also about a young man with emotional problems trying to get a handle on his life.

Photo Sharing and Video Hosting at PhotobucketNotice the difference in those descriptions, though. Exit Wounds had the drama of the missing father to power the poignant plot (alliteration!) along. Shortcomings lives up, or rather down, to its title by suffering from a severe case of the Indie Comics Problem. In other words, we get lots of conversations, lots of moping, lots of depressing slices of life. Just nothing resembling a plot.

This book, and the many like it that come out every year, seem to delight in not having a plot, as if such a “false” structuring is far from real and far from worthwhile art. Maybe those predisposed to such thinking will like this book, but anyone (and I’m speaking of the vast majority of humanity here) who understands that people view the world through stories will be bored out of their minds by this book. Thankfully, it’s at least not very long.

Grading Shortcomings on art alone, I’d give it a B+. But everything else sinks the ship, so the overall grade is a D-.



The Doomino Effect for the week of September 26, 2007

Get this – I’m late doing the Doomino Effect because I went to a Mandy Moore concert and had an awesome time. No kidding! And then we hung out at a bar with her and her band. For real! It was actually really good! Who knows what kind of crazy things I’m going to say about my comics now! Suckers!

Speaking of suckers, no, not really, but I’m tired and a little drunksy so I’m going to just start with the first book on my stack, and that’s Batman #669.

I really liked how this series started out, but I felt a little bit let down by this last chapter. It all seemed to resolve too quickly. Plus I don’t remember any of these characters so I have a tough time remembering who is who.

I will tell you what, though – I appreciate the varying styles of the art, even if I’m not always sure why the styles are being varied.

Speaking of endings, that leads me to Astro City: The Dark Age: Book Two #4, the final issue in this second chapter. I love Astro City. The Dark Age issues are the only ones I’ve been picking up as they come out, and they manage to work for me even though I don’t know who many of the background characters are and there’s like 4 months between issues. Kurt Busiek is doing something right in his storytelling if it functions that well with that little effort.

I’m also really enjoying the Silver Agent’s appearances throughout time. I have a feeling that’s just going to lead up to something even cooler than his ironic demise in Book One.

I can’t recommend Astro City enough. Busiek manages to carry out these alternate takes on traditional character archetypes while making it far more meaningful than something as lame as a “What If?” or Elseworlds story.

And speaking of alternate takes on established characters, that leads me to All-Star Batman and Robin the Boy Wonder #7. This title is quickly becoming one of my favorites. Hopefully Jim Lee can keep something resembling a regular schedule.

I’m growing extremely fond of Miller’s sociopath Batman, and I’m not sure if I enjoy his battle-scene ramblings or his even nuttier internal monologues more. The best part is, as this issue shows, this is actually leading somewhere!

I get enough enjoyment out of reading this that I think I’d honestly be content if it was just Batman beating up and mocking criminals while acting completely inappropriate throughout the rest of his interpersonal exchanges.
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Doctor 13: I was wrong

Back in the day, I wrote a Worst to First and mentioned a Tales of the Unexpected purchase and how much that book sucked. I said:

And the back-up story, which I’ve already forgotten the title of, was just piss-poor. Some annoying guy and some vampire are in a cave and have a stupid conversation about pointless crap. The end.

In part thanks to Devon at Seven Hells, but moreso because DC sent over a review copy, I now know that the backup story was called Doctor 13: Architects and Mortality. More importantly, I now know that this story is really, really good.

Photo Sharing and Video Hosting at PhotobucketIn my defense, I caught only the second part of the story, and that part was easily the weakest. What really hurt, though, was missing out on a bundle of jokes because I’d missed the set up in the first installment. Much like Arrested Development, Doctor 13 strings gags along from the first moment onward, continually building to ever better punchlines. Just read it, and thank me when you get to the banana.

Jokes are great, but a book has to be more than funny. And this one is, as Brian Azzarello takes a 180 from his typical work and strings along the most improbable story possible. In short, Doctor 13 and a motley assemblage of DC character chaff face annihilation from the Architects, who are actually DC writers that want to erase these crummy old characters. Think Grant Morrison’s Animal Man meets Jeff Parker’s Agents of Atlas.

Though probably unintended, the story points to a serious flaw with DC’s editorial staff: that they care more about continuity than they do about characters (though how well either is managed right now is certainly debatable). Azzarello shows that even the lamest characters can be great, as long as the writer cares about them.



Book of Doom: Vinyl Underground #1

I tell you what – I didn’t know a blasted thing about Vinyl Underground when I picked it for this week’s Book of Doom. I like to try new things when I’m making my choice, and considering that the other two books with obvious jumping-on points were Metamorpho: Year One and Howard the Duck, Vinyl Underground kind of picked itself.

I think it’s the first Vertigo book we’ve had as our Book of Doom, and probably our first “mature” selection. Hopefully that pays off with lots of profanity and nudity. Reading the promotional material, though, actually makes it sound like it might accidentally be a good choice.

So as always, we encourage you to play along by picking up this book and joining us Saturday for our roundtable review.

Written by Si Spencer; Art by Simon Gane and Cameron Stewart; Cover by Sean Phillips

Noted British television writer Si Spencer (Eastenders, Torchwood, Bad Girls) presents a sharp, unforgettable cadence in THE VINYL UNDERGROUND, a 21st century cross between THE INVISIBLES and CSI that brings rich social and political context to the dark, glittering cesspool that is London. Spencer is joined by indie creator/penciller Simon Gane (Paris, Punk Strips) and Eisner-nominated artist Cameron Stewart (the Other Side, SeaGuy) with bold, captivating covers by by Sean Phillips (The Invisibles, Criminal).

In this fast-paced, ultra-cool ongoing crime-noir series, an unlikely quartet of occult detectives secretly solve crimes — from DJ crack bars in Camden to the elegant, high-society ballrooms that make up modern London. The Vinyl Underground is led by Morrison Shepherd, a D-list celebrity darling, soul DJ, and son of an ex-footballer. Fresh out of prison and off a nasty coke habit, Morrison is joined by a fellow ex-con named Perv, whose seizures give him clues to crimes long before the cops, and Leah, a gorgeous morgue assistant who leads a double life online and represents the brawn of the team.

Morrison’s ex-flame Abi is reluctantly forced to join the team when her father is implicated for murder. A young boy’s head (with diamonds in the eye sockets) washes up on the edge of the Thames and seems to be connected to a series of ritual killings, a drug called Khat, and Muti magic. Can they get to the bottom of it?



Heroes – Episode Two

Photo Sharing and Video Hosting at PhotobucketWith another episode under the belt, I’m back to continue this weekly Heroes review. But first, I’m still trying to figure out if it’s possible to enjoy Chuck after reading the brilliant and ruthless comments of TV writer Ken Levine. Go read that, and the rest of the blog while you’re at it.

Now, back to the main attraction:

We’re not in Kansas – It’s a good thing that Claire and her family moved to California and not Kansas, because if they were in the Sunflower State there would be no way her teacher would ramble on about theoretical evolution in a way that just-happens-to-tie-into-the-show’s-theme. Come to think of it, wouldn’t having a group of genetic freaks stuck in Kansas actually make this infinitely more interesting?

Speaking of John Doe and fam – The ongoing travails of the most normal of the Heroes families continues to be the best-done aspect of the show. It’s just too bad that, because of the cast of hundreds, there’s not enough show to really get into all the issues they would face. Like how the mom is coping with years of lying from her husband, or what the heck the creepy son does now that he knows he was brainwashed for years.

That guy – This is just really bugging me, but the guy working for “the company” who’s leading Suresh on various missions, you know, the bald goofy actor. I know he’s been in a million movies and TV shows, but I can’t figure out who he is. There’s no point to this, just a little something stuck in my craw.

Devise a virus – The “virus” that’s striking down (sort of) the heroes has to be even funkier than that created by Deltron 3030, because how on earth could a virus survive for 30 years and only appear in three hosts? I hope there’s a good explanation for that on the horizon.

One hot Haitian – Here’s a suggestion to the “virus” stricken Haitian: Maybe you won’t feel so feverish and sweaty if you pull off that blanket. Seriously, you’re in Haiti. It’s hot there. Blankets not needed.

Hair today… – So, in the few months off, Nathan grew a massive Ron Burgundy beard and Peter shaved his chest. Talk about brothers going in opposite directions. (more…)