Book of Doom: Superman Confidential #1


Superman Confidential 1Have you ever wondered about journey Kryptonite took from the time it crashlanded on earth to the time it was first used against Superman? Of course not, that would be stupid. It’s a rock. It doesn’t think, it doesnt talk…it’s just there. Who cares about the origin of a rock?

Yet somehow in Superman Confidential #1, Darwyn Cooke and Tim Sale managed to tell a compelling story about just that: the origin of Kryptonite. Granted, only a few pages actually dealt with Kryptonite. The rest was a story about the Daily Planet staff trying to take down a corrupt businessman in Metropolis. Superman only appeared on a handful of pages, and the rest of the issue was rocks and reporters. But it was good. Go figure.

Now let’s take a look at what the other members of the Legion thought of the issue:

Doom DeLuise didn’t get a chance to read the issue yet, but he did make a note to say “the cover was neat.”

Jim Doom: “I hope that every fanboy out there who rips on Bendis for having ridiculously decompressed stories will deliver similar treatment to Darwyn Cooke. This was a whole lot of stage-setting and very little else. I was pulled out of the reading experience several times when I was like “Man, I’m having to turn the pages really quickly.” And it wasn’t because of a bam-kapow action sequence.

It worked for me partially because this seemed like a comic auteur exercise, where the writer and illustrator were allowing each other some freedom to toy around with their take on the craft more than the story, creating scenes for the spectacle somewhat and not necessarily specifically for storytelling.

Sale’s work seemed hit and miss; some panels seemed packed with life and excitement (like that shot of Lois on her desk – something about that just seemed like he’d packed reality into a box) but other panels seemed rushed and almost disrespected.

And I’m glad that the origin of Kryptonite continues in issue 2, seeing as claiming it started in issue 1 is a bit of a stretch.

But I will stick with this title, as these criticisms are largely based on high expectations attributed to great work in the past from these creators.”

Jean-Claude Van Doom: “When telling a “classic” story of a hero, there is an obvious route to take: Hire a creative team well versed in the hero’s background and with a style befitting a classic feel. Oh, and don’t hire Frank “ASSBAR” Miller.

This was just a predictably fun, cool issue that really feels like it accomplishes with ease what DC’s All Star series has strained and strained at, and failed. It’s a simple, fun story from DC’s days of yore that doesn’t much matter with continuity but fills a niche that’s left unfilled by today’s iterations on Superman. It’s so reminiscent of Long Halloween, Superman for All Seasons and Hulk Gray that I had to keep reminding myself Darwyn Cooke was handling the writing duties, not Jeph Loeb.

Since I consider Sale and Loeb to be the team for “classic” tales, this is great stuff. If I’m hard pressed for a complaint, and I guess I should offer one, it’s that the issue only gave the vaguest of hints at the plot to come. But, in these hands, I’m sure there’s fun stuff to come.”