Worst to First: 9/12/07

Worst to First: 9/12/07

Every comic but one on the list this week falls in the same category: mostly good but held down by serious shortcomings. Not bad, in other words, but it could’ve been a lot better. Ain’t that just the way…

Photo Sharing and Video Hosting at PhotobucketWorst: Green Lantern #23

It’s not that I didn’t like this book, it’s just that I didn’t like it nearly as much as I liked the Sinestro Corps special. As expected, that humdinger of a book (in which pretty much every major villain was trotted out) left a bar so high that even Giganta couldn’t reach it.

The problem is that these villains are sooooo tough, it’s impossible to believe they can’t just wipe out everything in the universe at will. It’s implausible for Hal and pals to storm the baddy base, free the captives and storm out. Especially since a stare-down with ol’ Anti-Monitor only netted one casualty??? C’mon.

What made the book still a worthy read (and hard to put so low) was Geoff Johns sticking to his thesis of fear corrupting power. Not only did this create Sinestro, it’s forcing weaknesses in the heroes (Hal putting on the yellow rings, the Oans rewriting the book and allowing lethal force). It’s an obvious parable to our current environment (the reaction to a threat causing more problems than the threat), but it reads better without attaching the political commentary.

Preachy: Thor #3

Photo Sharing and Video Hosting at PhotobucketAs I said before, the image at left sold me on buying this book. Tony Stark’s comeuppance has almost made Civil War worthwhile, and it hasn’t been done any better than here. JMS’s Thor is eloquently harsh (and then just harsh) to the resident Marvel a-hole, and the story does a good job of delivering a climactic confrontation while still leaving loose ends.

The problem with this book continues to be the hollow way in which Gods return to life. They just… do. Granted, I’m never one to expect a great explanation for the ol’ Phoenix routine (and hasn’t that taken on a nice double meaning?), but I expect a bit more than this. Whatever this is. Also, the treacly exchange between Thor and the little girl sent throbs through my sweet tooth. Still, man that was a fun butt-whooping.

Bendis is back: The New Avengers #34

It’s probably been two years since I gave up all comics by Brian Michael Bendis. I did so for pretty much the same reason as everyone else (every issue written the same, Secret War, snail’s pace, etc.). At the urging of Jim Doom, I’ve been reading a bit of this book lately with the thought of giving it a try. This was the week. (more…)



Q&A: Percy Carey (writer of Sentences: the life of MF Grimm)

Hip hop has always had a connection to comic books, with super hero references slipping into songs and the mini comic Outkast inserted in their ATLiens release. All the same, last week’s publication of Sentences (Vertigo, $19.99) marks a new level of relationship between the two.

A true hip hop autobiography, the book relates the life story of Percy Carey, better known as underground emcee legend MF Grimm, through the many trials and tribulations he faced. The book begins in 1994, as Carey and his brother were shot on the way to meet with record execs. Instead of a record deal, Carey ended up paralyzed. His brother died.

Photo Sharing and Video Hosting at PhotobucketCarey struggled for several more years, selling drugs and guns, finally ending up in prison. There, he decided to struggle to better himself and those around him. In a recent exclusive interview, we talked about the story behind the story.

Jean-Claude Van Doom: I guess we can safely call this the first hip hop autobiographical graphic novel. How did you come to decide to tell your story in that way?

Percy Carey: The credit goes to my editor [at Vertigo]. Casey Seijas spoke with me and gave me the ability to get it accomplished. He really knew my story already. He was a follower of my music. Took me step by step and taught me the format. It was done by him reaching out to me and giving me the opportunity.

For you to say it’s the first of its kind, that’s a blessing to me. A lot of my life is the first of its kind. Finally I’ve found something I’m capable of getting accomplished. I recently made and distributed the first independent triple CD, with 60 songs. Every time I’ve done something, it’s out of, I want to say desperation to a degree. Before I met Casey, I couldn’t see tomorrow. He’s extended my life. I see a great future in the comic book industry.

JCVD: Had you ever read graphic novels or comic books before?

PC: I grew up reading Superman, DC, Batman. I always had a fascination for the Hulk. I never assumed that that would be something I would one day do. I’m just happy to be part of that.

JCVD: How did Casey approach you with the idea?

PC: He asked me to write about my life. My life, I found it very boring. He said, “No, it’s not boring. You just got to sit down and do exactly like you do with your music.” I realized there’s a lot of similarities. It became easy to get it done. But the true magic is to edit.

JCVD: What did you think of it once it was finished? What did you think of the art?

PC: The artwork is amazing. It lived up. I’m very proud. I’m proud to be part of Verigo. I’m very happy to still be alive today to teach others not to make mistakes I made. My arrogance. My ignorance.

JCVD: Your story is a hard one. There’s a lot of bad stuff in this book, both bad things happening to you and you doing bad things yourself. Was it hard to be that forthcoming about what you’ve been through?

PC: It became easier to go through it. One of the reasons I’m still on the planet is to learn humility. Being vain and arrogant, it will cloud your vision. It was a process I needed to go through. It was more therapeutic to express all the trials and tribulations I’ve gone through. (more…)



Book of Doom: Daredevil #100

Who doesn’t love an anniversary? My oh my, it’s already been a cool hundred issues since… uh… since Marvel last rebooted Daredevil. Woop-i-dee-doo! Well, the alternative choices for Book of Doom this week were the Black Canary wedding special (not that I’m against a female-oriented book, but man does that sound stupid) and the new Suicide Squad. I would’ve gone that route, but the art looks horrendous and I’m sure Dave Campbell will break out of his a-post-every-other-week habit to lay the Suicide Squad on extra thick this week.

Jeez, do I sound bitter or what? I’m just waiting to see if I get stuck with the Michael Turner ass smearage cover. See below.

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Man, who doesn’t love a guy in red tights who thrusts out his package and has shoulders twice as wide as his hips? Cruelty to idiots aside, this is a fairly big moment for ol’ DD and a major issue for writer Ed Brubaker, in my mind. Since taking over for Bendis, Bru has kept up the high standard of this title. A lot of casual readers could use this as a jumping on point. Can Bru keep it going? Where’s the next surprise coming from? How can Matt escape Mister Fear? Will I be willing to pay $3.99 for yet another comic book?

Here’s what those money grubbing bastards at Marvel have to say for themselves:

COVER BY: MARKO DJURDJEVIC
WRITER: ED BRUBAKER
PENCILS: MICHAEL LARK
JOHN ROMITA SR.
GENE COLAN
LEE BERMEJO
ALEX MALEEV
MARKO DJURDJEVIC
INKS: STEFANO GAUDIANO
COLORED BY: MATT HOLLINGSWORTH
LETTERED BY: CHRIS ELIOPOULOS

THE STORY:
Daredevil fights for his life, facing his own worst nightmares come true! In a star-studded, triple-sized 100th issue, a red-hot roster of guest artists joins penciler Michael Lark to bring Matt Murdock’s history as the Man Without Fear to life, while DD struggles against that which he fears most! Don’t miss the first chapter of the groundbreaking third arc by the award-winning team of Brubaker and Lark–”Without Fear” begins with a bang! Featuring guest artists John Romita Sr., Gene Colan, Lee Bermejo, Alex Maleev, Marko Djurdjevic and more!!
104 PGS./Rated T+ …$3.99



Preview – Potter’s Field

There’s change in the wind around Mark Waid these days. The big news of recent of course is his move to Boom! Studios as Editor in Chief. That’s a big deal, given his history with DC. And now, with the pending release of Potter’s Field, Waid is changing in another way, going from his typical fun superhero work over to a more realistic, dark book.

Photo Sharing and Video Hosting at PhotobucketWaid’s new home sent over a preview of the first issue of this departure series, and the good news is that it really doesn’t feel like a Mark Waid book. Don’t get me wrong, I like Waid. But in my mind, he’s always the goofy action guy, epitomized in The Brave and the Bold (which I love). He went a bit darker with Kingdom Come, but it was still filled with capes.

Though a bit overly full of expository dialogue, the noir writing flows pretty easy. A man known as John Doe works to identify all the unidentified bodies buried in a NY cemetery. With toughness, good contacts and empathy, he unravels each mystery. It’s a strong enough set up that leaves both an unending supply of plots and lots of room for background (since we know so little about the main character).

I especially loved Paul Azaceta’s artwork. It has the same feel of Sean Phillips’ style, with lots of contrast and harsh edges. Over the years, as Boom! has developed as a publisher, it’s been fun to watch Paul develop into the star of their show.

All the same, I was a bit mixed after this issue. It did a good job of establishing the storyline, but there were two mysteries solved in the issue and neither seemed like much of a challenge to me or the protagonist. Maybe it’ll just take a few issues for Waid to find his legs as a mystery writer.



Worst to First: 9/6/07

Forgive a tangent, but I’m already a bit leary of city life. In a month, I’ve been stuck in copious amounts of traffic, gotten lost in suburbia, accidentally happened upon people shagging at a storage unit and seen an Office Depot sign’s letters rearranged so it said: “Special today, clear red vagina.”

Wait, never mind, the city is awesome.

What does that have to do with comics? Well, nothing. So let’s get to the week that was (including some old issues, though now I’m finally caught up)…

Photo Sharing and Video Hosting at PhotobucketWorst: Outsiders #50

I was a bit late to jump onto the OYL Outsiders, but dang if it wasn’t a fun book. Now, in a move that’s as much a grab for readers as a reference to DC past, we get Nightwing out and Batman in. Can the magic continue? To answer that, let’s look at a quote from Bats to start the issue:

“Luthor’s Everyman project tainted the public trust in so-called superheroes. Black Adam murdered an entire country. People are asking themselves if we aren’t all walking weapons of mass destruction. After all, your Amazon sisters laid waste to the capital of the United States. The post-Amazon mentality is that all the super-people should be identified, monitored and controlled.”

Now, let’s look at that quote again with a few simple substitutions.

“The school explosion tainted the public trust in so-called superheroes. Nitro murdered an entire school. People are asking themselves if we aren’t all walking weapons of mass destruction. After all, your friend Hulk laid waste to the capital of the United States. The post-bombing mentality is that all the super-people should be identified, monitored and controlled.”

Hmm… Let’s just go ahead and call this a drop, seeing as things only go down from there, hitting a nadir with the most ill-planned operation ever launched by Bruce Wayne.

Just goofy: The Brave and the Bold #7

This book operates on such a fine balance of making no sense whatsoever yet moving at such a fun pace that you can’t get caught up in the incongruities. The credit for its success splits between the creators. The George Perez style anchors it so firmly in campy superhero history that the comic logic inserted by Mark Wait (just where the heck do the Challengers come from? How does the history and future just suddenly repair? etc. etc.) doesn’t seem like a blatant attack on my intelligence. Not sure if I’ll lose interest in this silliness, but for now I’d label this as quite possibly my favorite of DC’s catalog.

Good, but: Daredevil #99

As Jim Doom opined before, the brilliance of this book lies in the subtle heel turn of Milla, which is balanced with narrative perfection against the hard fall of her husband. As is always the case with Brubaker, too many plots to count are rushing forward at once while never feeling jumbled (Bru is outshined only perhaps by Peter David in this respect).

There’s a “but,” though. I can’t help but feel like Matt has just continually been on the run from secretive plots against him for about five years now. That’s an overstatement, but not overly so. After this arc, I’d really like to see something new.

A new hero: The Programme #2

As I’ve said before, you should buy this book just for C.P. Smith’s art. Normally, a heavy dose of Photoshop can make comic art look too digitized and sanitary, but Smith pieces things together in just the right way, ending up with a style that’s emotive and harsh. (more…)



Q&A: Mitch Breitweiser and Andy Schmidt

After our exciting initial interview portion with Mitch Breitweiser, who illustrated interiors and painted covers on the new Captain America: The Chosen series, we’re back for more from Mitch, plus a bonus interview with his editor on the series, Andy Schmidt, who has since left Marvel.

Photo Sharing and Video Hosting at PhotobucketNow, be sure and remember that Captain America: The Chosen is our Book of Doom this week. So come back this weekend for our communal review. Also, we at Doomkopf broke the news of CATCH a few months ago.

Now, onto the questions and answers:

JCVD: Do you create art outside of comics at all?

MB: I try to, when I get time, do just regular art. I draw realistic stories all day, all week, all month long. It’s great when I get a
chance to paint an abstract watercolor or something like that. Get that side of the artistic expression out. Hasn’t had time for much in past year, because I’ve been busy. I’d love to do more of that sort of thing. But if comics are paying the bills, I won’t get to do too much.

There are times when a deadline is due when I’ll work 48 hours straight. I’ve been known to do a 48 hour stretch and do three pages. There’ll be days I only work a couple hours. I guess it all averages out to a pretty normal day. Again, working at home makes your schedule flexible. But, on the downside, you have to be very disciplined.

I used to take commissions all the time when I was trying to break in. Now I can’t do that kind of thing anymore. I get done with a deadline and I just crash for a couple of days. I don’t want to touch art. I wish I could work more. I sort of have a strange style of working. If I’m doing a panel, I’ll do some sketches, it’s almost like I’m holding these objects in my hand for awhile, for a couple hours. I’ll just look at rough images. I probably waste too much time.

When I draw, I just attack the panel. I’ll spend a lot more time thinking and looking at things than I do drawing. I spend a lot of
time studying and analyzing and thinking of angles. Getting a clear picture of it in my head. It’s the style that works for me. Maybe I use too much mental energy, because I can’t do it for 16 hours a day.

JCVD: Is it hard as one of the newer artists to get the attention of some of the big-name guys within the company?

MB: It’s like a batting lineup. They get on projects in proportion to how Marvel thinks fans will respond. If you can increase the readership of a falling book, that will get you on a big project. They kind of know what books they want to spend money on. You just kind of have to sit back and hope they put you on it.

I also try to find new readers. Every time I go to a show, a few people come by who haven’t heard of me, and I win a new person over. That’s another way to do it.

JCVD: Ever considered a name change? Something short and catchy?

MB: I actually thought about that once in college. It’s long, but you don’t forget it once you’ve read it. There are some other artists out there with pretty crazy names.

JCVD: What’s your favorite comic book or series?

MB: I really don’t have one specific book. If someone was to ask me, what they should pick up, suggest Captain America. It’s a good starting point. You ask me on another given day, maybe I’d have a different suggestion. I really don’t have one particular book that I think is the end all, be all of comic books. Hopefully one day I’ll be able to work on something that I can point people to.

I’ll be able to say I’m really proud of it and it’s a great story with good art. That’s all you can really hope for. If you’ve done that, then you’ve created a good lasting book. Whether it sold well or not, it’s in someone’s memory.

JCVD: Any dream projects?

MB: Who wouldn’t want to draw the X-Men? That’d be awesome. (more…)



Q&A: Mitch Breitweiser Part One

As you should know, Captain America: The Chosen is our Book of Doom this week. If you remember, it was also the series that we here at Doomkopf brought you an exclusive announcement about a few months ago.

Now, I’m pleased to bring you another exclusive — interviews with series artist Mitch Breitweiser. Below is the first half of the interview. And remember to come back this weekend for our roundtable review of this book (a sneak peek: I really enjoyed it).

Photo Sharing and Video Hosting at PhotobucketJean-Claude Van Doom: So, how did you break into comics?

Mitch Breitweiser: I was going to trade shows and buying tables on what they call artist’s alley. I would do sketches for $10 a piece. I was just trying to break even at the time. I started meeting people the more I went. We would hang out at the bar after
the show. And then just started meeting editors and other artists and writers. I just sort of forced my way in.

JCVD: So, a lot of convention hopping?

MB: I’d go from here to Chicago. I would drive from New York City to Chicago, or fly to San Diego. I even drove from Little Rock [where he lives] to San Diego. If I couldn’t afford a plane ticket, I would drive.

JCVD: What’s your background in art?

MB: I went to Harding in Searcy, through their art program. Then I went to New York to try to get into comics. I lived in the northeast from right after college to two years ago. I accomplished what I wanted to do, what I needed to do. Paying $1,600 a
month in rent, there didn’t seem much point anymore. I felt secure, since Marvel offered me a contract. I came back to buy a place, start a family.

JCVD: Why did you end up working with Marvel and signing with them?

MB: Marvel was always more receptive of my art, even when I wasn’t published. They seemed more interested in me. I was drawn to them just because the editors more receptive to my art.

I always had more of a passion for the Marvel characters anyway. Growing up, reading Wolverine, X-Men and all of that good stuff back in the ’90s. But I never really was a big comic book reader. I didn’t go out and blow my allowance on comics every week. I got really drawn into just the artwork. I’ve been drawing since before I could write. I was always, when I was younger, drawing little cartoons and making up stories before I even knew what a comic book was. (more…)



A very special Worst to First

I’m back, dear readers. After finding a job and getting settled in the ATL, I made my first trip to a comic shop in more than a month (quick shout to Odin’s Cosmic Bookshelf). Honestly, I was surprised more than anything by the sheer number of comics I really didn’t care to read. The only series I missed were (in order) X-Factor, Astonishing X-Men, Captain America, Hellboy and Daredevil. (Sadly, the shop was out of the latest X-Factor.)

What’s missing from there? You guessed it: I didn’t miss a single DC series. Hard to believe how far things have fallen since Identity Crisis and even the culmination of 52. I only ended up with a handful of comics from my month off, including Photo Sharing and Video Hosting at Photobucketthree from Marvel, three independents and one from DC (Jeff Smith’s Shazam). I did also get all the Green Arrow: Year One (GAYO) books and the first Tangent collection sent over from DC, but I’ll save those for separate reviews. Now, onto the Countdown… Uh, I mean countdown.

Worst: Astonishing X-Men #22

It’s bad enough that this is late, but the big reveal of this issue (Danger not really being able to kill any X-Men) is just way too late (that storyline happened forever ago) and the killing off of Cyclops made Captain America’s death look tasteful. Oh, and the bad guys’ space rocket launcher looked like the Death Star with a boner. You know what, go ahead and scratch this off my list of comics I need.

Kombative: Immortal Iron Fist #8

Jim Doom already did a pretty good job of taking the logic of this book apart (heaven is based on fighting. WHA???), so I’ll leave that be. This was really just a catch-your-breath book that didn’t advance any of the storylines substantially. Particularly, the flashback story of Danny’s father didn’t do anything meaningful. The art in that part was also terrible, as Jim mentioned, which is odd given how good Marvel is about putting together art teams. Now all that remains to be seen is if there’s a new way to rip off Mortal Kombat (which itself was just a ripoff of Master of the Flying Guillotine).

Metaphoric: Shazam! #4

I think I just bought this to be a completist, since that $5.99 cover price is ridiculous. Whining aside, I did enjoy this series. It succeeds just as Bone did, by weaving a fun story that’s for kids (no girls with their boobs falling out or intense violence) but retains a high level of smarts. There’s a whole lot of social commentary that’s not too heavy handed. I started to wonder, after reading this last issue, how deep the metaphors run. For instance, Smith sets up Sivana as the attorney general and eventually reveals him to be working for the evil Mr. Mind, who then turns on Sivana after he’s served his purpose. There are some overt attacks on the conservative political establishment, but I can’t help but wonder if Mr. Mind is supposed to represent President Bush (manipulating his operatives, etc.). Of course, if that parallel is being drawn, Mr. Mind would probably represent Cheney or Rove…

All that aside, I wasn’t completely sold on the art. It went a bit too cute in places and, more than anything, the big climactic fight between Captain Marvel and Mr. Mind’s giant monsters was unbelievably stiff.

Photo Sharing and Video Hosting at PhotobucketBee-yoo-ti-ful: Killing Girl #1

If only Fin Fang Doom hadn’t given up his Meaningless Awards column, he would’ve had a shoo-in at splash page of the week. I know it’s not the most action-packed page ever done, but the image at left is comics at their most beautiful. Frank Espinosa branches off from Rocketo here to work with writer Glen Brunswick on the story of a prostitute-turned assassin. As expected, Espinosa’s frenetic art carries the book. It’s so graceful and active (a nice 180 from Shazam). When I looked at the page you see here, I literally shouted.

Apparently, though, there’s more to comics than pretty pictures. Does the writing hold up here? Eh, kind of. The premise here isn’t that original, and Brunswick leans on the crutch of some serious coincidences to craft drama. The prostitute goes to kill a guy in a town where she was kidnapped and sold into the sex-trade years ago, only to run across an FBI agent who’s engaged to her sister and is protecting her potential hit. That’s about as likely as the plot of Spider-Man 3, wouldn’t you say? (more…)



Batman, as told by A Confederacy of Dunces

Photo Sharing and Video Hosting at PhotobucketNot sure how many of our crowd here have read the Pulitzer Prize-winning exploits of Ignatius J. Reilly, but I was reading the book the other day and came across a section that had surprising relevance to the world of comic books.

While recommending reading to a terrified passerby, the crazed Reilly suggests mostly Medieval scholars (he loves Boethius in particular), advises to steer clear of Victorian or Modern literature, then says:

For the contemporary period, you should study some selected comic books. … I recommend Batman especially, for he tends to transcend the abysmal society in which he’s found himself. His morality is rather rigid, also. I rather respect Batman.

Now, who would’ve thought that Frank Miller would look at Batman in the same way as a (pardon me) batshit crazy central character of a great literary work? Oh, wait, that doesn’t surprise anyone, does it?

Side note: after a month and a move across the country, I’m once again gainfully employed. My new boss even has a Batman poster on the wall of his office. The real meat of this news is that I’m also once again among the comic-buying public, so expect more writing from yours truly in the near future.



OK, I’ll buy Thor #3

Never mind two slow issues. Give me even the hint of a Tony Stark ass-whooping and I’m sold. Huh, maybe Marvel knew what they were doing with Civil War after all…

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