Monthly archives: May, 2007

Book of Doom That Time Forgot: Ultimates 2 #13

There’s just too much this week. We took on two books at once, and there was just too much reviewing and writing to do, so we only got one done. I read on the internet that Doom DeLuise was almost done with his review, but then I read somewhere else that he isn’t…but the next one will be done tomorrow – I promise. Just a tiny delay…

No actually, there’s just so much Book of Doom goodness to go ’round, that this week’s roundtable is split into two parts! Today, the Legion and guest reviewer Aaron of GeekInTheCity.com take on Ultimates 2 #13, and tomorrow we’ll be back with All-Star Batman and Robin the Boy Wonder #5.

Although this week’s theme was books that have been notoriously delayed, I really wish Ultimates 2 #13 would have come out sooner.

I was really looking forward to this issue, but when I sat and read it, nothing had much of an impact on me, and I can chalk most of that up to the fact that I had pretty much forgotten what had happened to lead up to this issue. When I sat back and thought about what had preceded this, I thought “Huh, I bet this would have been a pretty good issue had I read #1-12 within the past year or so.” But I didn’t, and my reaction was diminished as a result.

I bet the final revelation that Thor is a god and not a madman was pretty cool for those who remembered it. For me, it was just those first few pages, and by the time I got to the big reveal, I was like “Oh yeah, that’s what was going on.” Bummer.

Those big widescreen battle scenes are where Bryan Hitch excels, but that 8-page gatefold was just excessive. It certainly didn’t help my reading experience that I had to abruptly halt my immersion into the story to unfold and unfold and unfold, then fold and fold and fold. And I’m not sure the big flying rainbow through the sky has the desired awe-inspiring effect on the reader.

I like that, while Millar wrote the mainstream heroes’ transition from independent vigilantes to government agents, he’s here writing an inverse transition from government agents to independent heroes. That’s a shift that will have its own unique set of problems, as Hawkeye here acts like a cold-blooded black ops agent when his team is trying to make the transition into heroes. It shows how the different militarized origin of the Ultimates translates to the “tough moments,” where people are either heroes or flawed, vengeful humans who’ve spent their adult lives solving problems with lethal force.

I enjoyed the conclusion, which reminded us that these two volumes have been Captain America’s story. He “died” and was “reborn” as a soldier, but his ultimate (no pun intended) commitment was to this cause of freedom, and that commitment supersedes his sense of duty and his personal desires.

Ultimates 2 #13 was a bit of a dud for me as far as individual issues go, but I have a decent amount of faith that when I get the chance to sit down and re-read the series, it’s probably a pretty good finale.

Here’s what the rest of the Legion had to say…
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Podcast of Doom: Episode 3 (transcript)

[SFX: Podcast of Doom theme music]

JIM DOOM: Hello and welcome to the latest installment of the Legion of Doom’s Podcast of Doom! I am your co-host, Jim Doom.

DOOM DeLUISE: And I am your other co-host, Doom DeLuise!

[SFX: Music fades out]

JD: Now Doom, first thing’s first — I want to plug our biggest Book of Doom yet, which is coming up this Saturday.

It’s actually literally the biggest because the team — and guest reviewer Aaron of geekinthecity.com — reviews two comics this week — Ultimates volume two #13 and All Star Batman and Robin the Boy Wonder #5.

To tease the listeners with what’s coming up this weekend, I kind of liked Assbar, but I’m not sure if I liked it for the right reasons or the wrong reasons.

DD: I’m pretty sure I liked it for the wrong reasons.

JD: I thought your review was really good though.

DD: Oh, thanks.

JD: It was one of the smartest-sounding comic reviews I’ve read, to be honest.

DD: Weird. I’m not doing anything differently. Jean-Claude Van Doom contacted me the other day after my Countdown review and said pretty much the same thing.

JD: Maybe the time away from the internet made you smarter.

[audience laughter]

JD: So you’ve got something to start us with this week, right Doom?

DD: That is correct. I printed out this article from Newsarama. (Transcriber’s note: here is a link)

JD: Ah thanks.

[papers shuffling]

DD: I’ve got this quote from Mike Marts, editor of Countdown: “That great action sequence from Calafiore [referring to the fight between Batman and Karate Kid in Countdown #50] is indeed ‘the fight’ from the JLA/JSA crossover. We hope readers enjoyed this subtle crossover.”

[laughter]

Subtle?

JD: Jesus! How could that have been any less subtle?

DD: If they had included editors notes, maybe?

[laughter]

But there’s more. (more…)



Annihilation: Book One

By Keith Giffen, Dan Abnett and Andy Lanning (W)
and Mitch Breitweiser, Scott Kolins, Ariel Olivetti and Kev Walker (A)

Published by Marvel, 2007, $29.99

Photo Sharing and Video Hosting at PhotobucketThe Plot: In the storyline that fans forgot, the dread villain Annihilus returns from the Negative Zone (I think) and sends a wave of mean-looking robots across the universe to destroy as much as possible, scavenging for any power to increase Annihilus’ strength. In this first part of the mega space opera, many fall before the Annihilation Wave, including all the Nova Corps except Richard Rider. He then is left to pick up the pieces and try to find enough teammates to end the threat while preventing further mass deaths. The book contains the Annihilation: Prologue, Drax 1-4 and Nova 1-4.

The Good: To evaluate this book, you almost have to separate out the three parts, because each succeeds and fails in its own way. Overall, this introduction does a good job of establishing the level of danger. The Wave wreaks terrible havoc, which we get to see up close and personal. That’s all shown through the eyes of Rider (I’ll just call him Nova), who takes on all the power of the Worldmind, which held all of Xandar’s knowledge and force. If I had read this event, I definitely would not have been as surprised by the sudden emergence of Nova as a respectable superhero and his title as a quality read. Abnett and Lanning can flat out write. They’re clever, they know pacing, they know character development. It’s all there. Key is the interplay between Nova and Worldmind, with Drax later coming in as a sort of mediator/Obi Wan.

Another big plus is the bounty of massive space battles. They’re written and drawn well (especially the team-up between Nova and Quasar), and it’s fun to look in the back and see how things developed from Giffen’s sketches. Kev Walker does great work in the Nova mini.

I also would be remiss to leave out the art in the Drax mini, courtesy of Mitch Breitweiser. Mitch happens to live in the same city as I do and we’ve talked a few times (expect an interview eventually). He’s a really cool guy and beyond that a very talented artist. His work has a clean but edgy feel that fits in with the Michael Lark/Steve Epting feel that Marvel has brought to a lot of its books. If you like his work here, I’ve seen some of his work on his next project (which hasn’t been officially announced yet) and it’s really great stuff.
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Worst to First: 5/17/07

A lot of people would call 13 an unlucky number. Well, that’s how many books I picked up (plus Vol. 2 of Rocketo!), so did the weekly take go sour on superstitious numerological mumbo jumbo? Hardly. Some very fine comics found their way home, including a bunch more from Boom! Studios, a big conclusion to a mega-arc, an issue of the always-great X-Factor and some long lost friends. Speaking of which, for the sake of space I’m leaving Ultimates 2 #13 (there’s that number again!) and ASSBAR #5 out of the roundup. For my thoughts (and those of the rest of the Doomers) on those books, come back Saturday and check out our latest Book of Doom. Now, on to the reviews…

Worst: Warhammer 40,000: Damnation Crusade #4

This was not necessarily a bad book, but for a big battle romp it has the terrible problem of the art becoming garbled whenever the fighting starts. That sinks some decent writing by Dan Abnett, who’s quickly rising into “writer to know” territory.

Photo Sharing and Video Hosting at PhotobucketGhastly: Batman #665

On the scale of sense-making, Grant Morrison’s Batman run gets a 0 out of 10. So Batman’s back was clearly stomped clean through last issue, but in this one he’s beaten up but still OK. I might be interested in these three ghosts of Batman, but Morrison doesn’t ever bother to invite the reader into the story, instead running headlong into nonsenseland. And since when are Gotham cops and city officials totally corrupt? And how is Batman nearly dead one moment and then off on a romantic tryst in another country the next? At least we find out Damien’s still alive. Oh, wait, that isn’t a good thing? Damn.

X marks the spot: X Isle #5

I’ve been hit and miss reading this series, so it took me a bit to find some bearings in this fifth issue. Aside from a bit of groan-tastic dialogue and action scenes that don’t hit quite as strongly as they could, this book offers a heaping lot of creepy imagery on this alien-infested island. It ends on a nice (if eyebrow-raising) note. Seems like this should be the last issue of the series, but nowhere does it mention if that’s the case. Anyone know?

Is it over yet: Countdown #50

Like our own Doom DeLuise, I concur that this issue was a big step backward. What’s really bad is the first issue didn’t start very far forward, if you catch my drift. Aside from a sequence of the Joker acting as either idiot savant or just savant, this thing was a flop. The big problem? We still don’t know what the heck the story is.

Freak show: Dominion #1

I’ll resist any “Doominion” jokes, I swear. This new series starts with a bit of text on the history of biological warfare, then jumps into Chicagoans suddenly taking on strange powers and causing massive damage. And no, it’s not because the Cubs finally won a World Series. Amid all the rampage is a regular schmoe cop. While this treads on the familiar territory of newuniversal, I think it’s headed in a much different direction. We just haven’t gotten near that point quite yet. A bad final splash page isn’t quite enough to dampen my interest.

Speechless: Salvador #1

For the first time, Boom! Studios really steps out of its “the Spike TV of comics” niche with this issue, written by the Polish brothers of indie films (the brothers are named Polish, not from Poland. Well, they could be. That’d be weird, though). What’s this issue about? I don’t know. When Boom! sent it over for review, I thought maybe I got a preview copy, because there was no text. Apparently that’s the real deal, though. What do the pages hold? Some beautiful artwork by Steph Stamb (and I mean ARTwork) that shows a white-suited being fall to earth, then be picked up and carted off across the world, eventually into the jungle. At the absolute least, this is a fascinating experiment in comics. Something tells me it’s a lot more than that.
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Countdown: Fifty

Let’s recap. Jimmy Olsen finds the Red Hood and questions him about events in the last issue. Red Hood directs him to the Joker. The Joker claims he’s never had a daughter. Killer Croc escapes in the last page and looks to be ready to go Sobek on the little guy. Elsewhile, Mary Marvel still has no powers and is instructed to stay away from Gotham; Batman and Black Lightning beat up Karate Kid in the Batcave; the Flash’s rogues are preparing for a big confrontation, as well as snorting some blow for fun; and that’s it.

If this keeps up, there is very little chance I’ll be staying with Countdown beyond ten issues. I’ll give it ten. That’s the least I can do. Unfortunately, it being the spine of the DCU for the next year means I may have to swear off all DC comics. Not likely, but here’s why I’m annoyed. The fight between Batman and Karate Kid already happened. In Justice League of America #8. It’s pretty close to being word for word, save a few minor details. In this issue, Karate Kid doesn’t have the magical knowledge to know he just gave Batman a hernia, for instance.

Meanwhile, in this week’s issue of Flash: Fastest Man Alive, the Rogues actually go ahead with their plan. And it’s quite successful. They remove the Speed Force from Bart Allen, and it looks like he’s a goner. Since the solicits for next month state that there is going to be a huge run (no pun intended) on Flash #13, a relatively unpopular series, my guess is we’re in for some big changes. What doesn’t change is the fact that there is absolutely no point in including the scene with the Rogues in Countdown since their grand scheme has already been hatched within the pages of Flash.

52 had a unique ability to really go wild with its characters, because it was set in a year free of continuity, and the characters were relatively unimportant ones, meaning that they were able to hold off on including any of them in any OYL books. So they were able to tell a nice little self-contained story without worrying about crossing over with every other book in the entire DCU. I don’t enjoy reading the same thing twice, and I don’t enjoy being told a story where I’ve already read the outcome.

This issue really put me off this whole Countdown thing.



Robotika

By Alex Sheikman
Published by Archaia Studios Press, 2006. $19.95

Photo Sharing and Video Hosting at PhotobucketThe Plot: “Far future…” Begins Robotika, the steampunk/samurai/western/sci fi tale. The world is reminiscent of that from the films A.I. or Bladerunner, a melting pot of androids and humans and bastards caught somewhere between the two. But forget the science; it doesn’t make any sense and matters less. This is the story of a mute samurai who does as ordered, and how he comes to see life beyond the simple code. This hardback collection of the series’ first four issues (more are supposed to be on the way this year) takes Niko to all ends of the world as he meets deadly cyborg Amazons and strange forest spirits. It has the healthy dose of existentialism that all indie comics do but manages not to lose sight of the plot.

The Good: If I were to make a checklist of stories I’m a sucker for, samurai, western and sci fi would list way up there. So, combining them is pretty much guaranteed to leave me tickled. Of course, I still like books to actually be worth a damn, and Sheikman’s tale comes through there as well. The writing is sturdy for a guy who lists comics as a hobby (little flourishes, like an android that speaks vertically, help a lot). While the premise is pretty basic, Sheikman’s highly detailed and Heavy Metal-esque version of the future are enough to engage throughout and, in fact, often steal the show.

It’s a bit hard to comment on Sheikman’s art, because it’s alternately very good and then much less so. The guy is clearly talented, because when his work is “on” it’s excellent. His style doesn’t look especially like that of Mike Allred’s, but the two have some similarities. Like Allred, Sheikman uses crisp linework with limited shading. It manages a stark, high-contrast and somewhat abstract feel while maintaining a liveliness and fluidity.
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The Doomino Effect for May 9, 2007

Stop missing me, dears, and dry those tears for The Doomino Effect has returned! After a one week hiatus brought upon by caring for Fiance Doom’s wisdom teeth extraction, Jim Doom is back and sort of ready to return to form in the only column I know of that sounds like “Dew minnow a fecked.” I say “sort of ready” because I’m in the process of dooming to a new house – no wait, that one doesn’t really work – I’m moving to a new doominion – and all my stuff is either in boxes or scattered around, so I’m not sure if I have last week’s comics sitting before me or not, but it’s definitely a pile of books I haven’t doominoed about.

Up first, it’s Green Arrow #74! This is one of my favorite monthly books and I’ve heard it’s stopping at #75, and it looks like the setup for that finale is that there’s going to be such a huge fight with Deathstroke that the book stops! Not much to say about this book. I think you either like the bow-and-arrow action with the snappy Judd Winick dialogue or you don’t; you either like the action infused with politics or you don’t; you either like the extended 47-page peeky love scene with the Canary being shot by the Arrow or you don’t.

And speaking of love scenes and The Comic Nudity, that leads me to Astonishing X-Men #21, in which we comics geeks finally get to see Kitty Pryde’s exposed upper right buttock! Other stuff happened too while the X-Men were on the Breakworld, like things about that prophecy and Colossus and whatnot. For several months now, I haven’t been able to tell if this book is suffering in quality or if I’m just getting less interested in it for other reasons. I’m really starting to think it’s the former. Cerebra is the antagonist, and Emma turned on Scott to reveal that she’s truly evil. Haven’t those things basically been happening every other issue or so for the past year? I guess it just took some of the oomph out of the surprise ending.
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The Books of Doom That Time Forgot

This week at the Legion of Doom, we are taking an unprecedented leap both forward and backward. Backward, almost a year ago in one case, to when these books were originally solicited. Forward, for we are going the extra mile (and book) and including two comics in our weekly roundtable.

That’s right – in a case of planetary comic alignment – Ultimates 2 #13 and All-Star Batman and Robin #5 (affectionately known here as ASSBAR), two of the most ridiculously and notoriously delayed comics in recent history, both come out on the same week…or at least that’s the plan. If history is any indication, we’ll all come home from the comic shops Wednesday and wonder what we’re going to write about.

But if these two publishers get their limited-continuity alternate-universe ducks in a row, this week’s roundtable review will surely be one for the ages! Why, we might even delay it until March 2008 just to build anticipation! So be sure to stop in Saturday when the Legion of Doom (and our guest celebrity reviewer Aaron of Geek in the City) bring you reviews of ULTIMATES 2 #13 and ASSBAR #5! You’ve waited this long – surely you can wait a few more days?

ALL STAR BATMAN AND ROBIN, THE BOY WONDER #5
By Frank Miller (W) and Jim Lee (P) and Scott Williams (I)

The pulse-pounding adventure continues with the All Star creative team of Frank Miller, Jim Lee and Scott Williams! The Batman puts Dick Grayson to the ultimate test, and the orphaned aerialist must make a difficult choice before becoming Robin, the Boy Wonder! Retailers please note: This issue will ship with two covers.

Ultimates 2 #13
By Mark Millar (W) and Bryan Hitch (P) and Paul Neary (I)

“GRAND THEFT AMERICA”
The concluding chapter of the much-heralded Millar/Hitch tenure on Ultimates has finally arrived! All the running plot lines come to their cataclysmic end in these pages as the Team Supreme puts everything they’ve got into a grand finale that will take its place alongside the finest comics of the past decade. Alliances are made and relationships are severed in a tale you simply cannot miss. You have been warned! Part 7 (of 6)

Doom note: they really put part 7 of 6.



Meaningless Awards of the Week- 5/9/07

Nova 2Book of the Week- Nova #2

Wait, is that a typo? Was Nova really the best book of the week? Man, this must have been a pretty disappointing week. Let’s just go through them all:

Countdown #51- A decent start to DC’s next weekly series, but you can’t expect to blow the walls off the place with part 1 of a 52-part series. Certainly a good set-up issue, but not really a good issue by itself.

Green Lantern Corps #12- Eh. They’ve been milking this traitor storyline for a while, possibly to give the regular Green Lantern title a chance to tie up its storylines before the Sinestro Corps crossover starts.

Nightwing #132- I really like the art on this series, but the Bride & Groom storyline has gone on about 3 issues longer than it should have. That seems like a pattern in Nightwing lately. (more…)



Book of Doom: Marvel Zombies: Dead Days

If there’s one thing I’ve come to expect from Robert Kirkman, it’s that whatever direction I think he’s going to take a story in is inevitably not the direction he goes with. I’m amazed by how many times I’ve been amazed by a choice Kirkman has made in one of his comics, especially in The Walking Dead. It should come as no surprise then that Kirkman’s other zombie book was equally as surprising as TWD. But it’s Kirkman, so of course it was surprising.

Marvel Zombies Dead Days

Marvel Zombies: Dead Days was advertised as the origin story of the universe: the point at which this universe became drastically different from the 616 universe. I was expecting it to be an all-out brawl between the Marvel Zombies and the Marvel Superheroes to see which side would survive. I certainly wasn’t expecting that war to take place (for the most part) off-panel, and focus instead on the attempt to cure and or escape the outbreak. That’s why I loved the book to so much. It wasn’t the “easy” choice, which any writer worth his salt could have done in his sleep.

I think my favorite Kirkmanism from the book would have to be the reason the non-zombies eventually lost the war. I’m sure most people probably assumed the zombies had just overwhelmed the human population by sheer numbers, as is the case with most zombie stories. Instead, as it turns out, the heroes weren’t doing such a bad job of staying alive (and saving a bunch of civilians in the process). That is until non-zombified Reed Richards decided it’d be better for everyone if they just became zombies. Man, and I thought he was a dick during Civil War.

I also really enjoyed how Kirkman tied in elements from all the stories involving the Marvel Zombies universe, including the ones he didn’t even write. He’s got the creation of the dimensional portal that’s essential in introducing the universe in Mark Millar’s Ultimate Fantastic Four. He’s got references to the infection coming from an alternate reality, which has been shown in John Layman’s Marvel Zombies vs. Army of Darkness. And of course he’s got elements of the original Marvel Zombies mini-series that he wrote.

I loved Marvel Zombies: Dead Days. But I honestly don’t see how a comic by one of my all-time favorite writers involving zombies and Marvel superheroes could turn out bad. Well, maybe if Michael Turner was drawing it…

I wonder what the other Doomers thought of the issue? Let’s see what Jim Doom had to say. I bet he loved it: (more…)